Analysis of the Evolution of the Different Horsewhip Postures on Stage of the Chinese Opera “Zhaojun Leaves the Country” ---Based on the Versions Performed by Peking Opera Stars Xiao-Yun Shang, Zheng-Qiu Gu, Hai-Ming Wei, Rui-Lan Tang
碩士 === 國立臺灣藝術大學 === 舞蹈學系 === 103 === Opera is a treasure of Chinese culture. The performance of the Chinese Opera is presented primarily through singing and dance movements. This research was designed to investigate the importance of the role dance movement plays in Chinese Opera, and analyze the ev...
Main Authors: | WANG, HUI-LIN, 王慧琳 |
---|---|
Other Authors: | WANG, KUANG-SHENG |
Format: | Others |
Language: | zh-TW |
Published: |
2015
|
Online Access: | http://ndltd.ncl.edu.tw/handle/3u76mf |
Similar Items
-
Guoguang Opera Trope of Peking Opera Women Writing
by: 王文伶
Published: (2012) -
Shakespeare on the Peking Opera Stage
by: Weimin Li
Published: (2013-12-01) -
The study of Pi Xi‐rui 's “Xiao Jing Zheng Zhu Shu”
by: Chieh-yu Chao, et al.
Published: (2013) -
The transformation of Taiwanese Opera from 1950's to 1970's --Take " Chia-I Gui-Qiu-Yun Opera Company " and " Tai-Cho Lun Wen Ha Opera Company " as subject of discussion
by: tung yen wen, et al.
Published: (2006) -
On the Rudimentary Plays of Jingju (Peking Opera)
by: Chi Huang, et al.
Published: (2014)