Linear accumulations and restructuration

• Main Authors: Liang, You-Ning, 梁祐寧
• Other Authors: Lin, Jaw-Tsang
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/87423338003473850933

碩士 === 國立臺灣藝術大學 === 美術學系 === 103 === Based on the foundations of the painting creations since 2012, the basic expression elements of line reverse and condense symbolization from accumulation and reconstruction. From the creation of inspiration, the inspiration came from the mental frustration of the artist. It further leads to the exploration of self mental deficiency from spiritual level, and the contradiction between people. Starting from the artist own life experience and breaking through self-questioning, the dissertation further connects with the society and historical context, and leads the discussion and investigation of the relationship transformation between the individual and the external world. As the simulation of connection of subject and object, the linear perspective runs through the artist’s creations. Additionally, what do the signs represent and symbolize? Through the accumulation and interpretation of linear symbolization of images, it reveals the endogenous and exogenous relationship and association of graphic language. The dissertation dissects the creating course and subject construction through memory retrospection and self-reference gained from life experience. From the discussion of the art pieces with Symbolism of the art history, the article analyzes Ego through psychology and sociology. The creation positioning will further be evaluated by the impact from eastern and western painting, reflects the transition of abstract thinking, and eventually resonates the subject and object relations.