The Broken Embrace The Beauty Incomplete

碩士 === 國立臺北教育大學 === 藝術與造形設計學系碩士班 === 103 === This topic is aim to find the beauty of the old texture, even to discover the quietness beauty and elegant from these imperfect characteristic. Inspired by the background of the writer who found people these days follow the flew in terms of chasing new th...

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Main Authors: Su-Yuan Yang, 楊舒媛
Other Authors: 劉得劭
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/11879489699846848190
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spelling ndltd-TW-103NTPT06320312016-07-16T04:11:58Z http://ndltd.ncl.edu.tw/handle/11879489699846848190 The Broken Embrace The Beauty Incomplete 破碎的擁抱 殘缺的美好 Su-Yuan Yang 楊舒媛 碩士 國立臺北教育大學 藝術與造形設計學系碩士班 103 This topic is aim to find the beauty of the old texture, even to discover the quietness beauty and elegant from these imperfect characteristic. Inspired by the background of the writer who found people these days follow the flew in terms of chasing new things and never really look into or even appreciate the past, the new jewellery was form in simulating old texture and organic shape of old building. The first chapter describes the background of today’s society cannot fled from the blind, but pursuing of new things, never really to appreciate something more depth. Referring to Thailand photographer’s work in describing the mind conversion of seeing the changes of his hometown from finding the incomplete beauty in old construction to vibrant urban as success example. Chapter two: Creation of theoretical foundation, introducing three related creative artists and how the “wabi sabi” influence on Modern Japanese art. Chapter three: Creation and content, creative concept as core for material research. Chapter four: Creative showcase format, dividing work into three series, and performances content and programs. The fifth chapter: the review of the proposal and prospects. 劉得劭 2015 學位論文 ; thesis 44 zh-TW
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language zh-TW
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description 碩士 === 國立臺北教育大學 === 藝術與造形設計學系碩士班 === 103 === This topic is aim to find the beauty of the old texture, even to discover the quietness beauty and elegant from these imperfect characteristic. Inspired by the background of the writer who found people these days follow the flew in terms of chasing new things and never really look into or even appreciate the past, the new jewellery was form in simulating old texture and organic shape of old building. The first chapter describes the background of today’s society cannot fled from the blind, but pursuing of new things, never really to appreciate something more depth. Referring to Thailand photographer’s work in describing the mind conversion of seeing the changes of his hometown from finding the incomplete beauty in old construction to vibrant urban as success example. Chapter two: Creation of theoretical foundation, introducing three related creative artists and how the “wabi sabi” influence on Modern Japanese art. Chapter three: Creation and content, creative concept as core for material research. Chapter four: Creative showcase format, dividing work into three series, and performances content and programs. The fifth chapter: the review of the proposal and prospects.
author2 劉得劭
author_facet 劉得劭
Su-Yuan Yang
楊舒媛
author Su-Yuan Yang
楊舒媛
spellingShingle Su-Yuan Yang
楊舒媛
The Broken Embrace The Beauty Incomplete
author_sort Su-Yuan Yang
title The Broken Embrace The Beauty Incomplete
title_short The Broken Embrace The Beauty Incomplete
title_full The Broken Embrace The Beauty Incomplete
title_fullStr The Broken Embrace The Beauty Incomplete
title_full_unstemmed The Broken Embrace The Beauty Incomplete
title_sort broken embrace the beauty incomplete
publishDate 2015
url http://ndltd.ncl.edu.tw/handle/11879489699846848190
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