Performance and Actual Expression─An Exploration into Paul Hindemith《Sonata for Trombone and Piano》

• Main Authors: Yi-Chun Fang, 方宜群
• Other Authors: Jia-Rong Tsai
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/82tb8b

碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 103 === This paper aims to study Paul Hindemith’s Sonata für Posaune und Klavier. It contains five chapters: The first chapter is an introduction to the motivation and purposes of this research into his work, using five steps as the research method. The second chapter is an introduction to Paul Hindemith, which includes two major parts --- Paul Hindemith’s life and the background of Sonata für Posaune und Klavier. Chapter Three is to analyze the four chapters in this sonata, through style, harmony, tempo, and structure, so as to attain more profound understanding of it. Based on these analyses and the performing skills required, Chapter Four deals with the interpretation of this sonata by induction. It is hoped that the composer’s concept of this work could be more clearly expressed, and the style is better presented. The conclusion is made in Chapter Five, presenting the afterthoughts of the author of the paper. As a music educational worker, she, inspired by Hindemith’s philosophy of liberal arts, feels obliged to promote music and increase accessibility of it for everyone.