An Analysis and Interpretation of George Frideric Handel's Neun Deutsche Arien for Soprano, one Solo Instrument and Basso Continuo, HWV202-210

• Main Authors: Huang, Pei-Chi, 黃珮淇
• Other Authors: Chen, Yun-Yi
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/49hhk5

碩士 === 國立臺灣師範大學 === 音樂學系 === 103 === German-British Baroque composer Handel’s Neun deutsche Arien for Soprano, one Solo instrument and Basso continuo, HWV202-210 is an unique music piece in Handel’s arias which is different from his operatic arias. This music work is vocal chamber music which was composed during 1724 A.D. to 1727 A.D. during the era of the rise of opera. All of the arias in Handel’s Italian style opera are both composed and sung in Italian. However, the difference between Neun deutsche Arien and Handel’s other operatic airas is that Neun deutsche Arien is an independent piece that does not belong to any opera. Handel introduced the German poems of the German poet Barthold Heinrich Brockes (1680-1740) into the establishment of trio sonata in this piece. This thesis mainly focuses on the interpretation, analysis, and music structure of Neun deutsche Arien and the exploration of the relationship between it's lyrics and music.