| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 103 === This paper intend integrates and organize a set of creative study objective from the plumpness in one’s experience, the optimism and humor in one’s emotional characteristic. It will focus on exploring aestheticism pursuit in modern society, surveying aesthetic experience through out the history of east and west. The aesthetic definition on female body shifts as the society in large adapts different value. The pursuit for plumpness in ancient time turns to the slender and delicate civilized beauty cultivated by the rise of Chauvinism since the dawn of the industrial revolution. This study will approach the humorous relation between sub-consciousness and art works using psychoanalytic methods, and survey the art history with regard of the influence from history on the aestheticism of society. In addition, it will examine the impact of Chauvinism on aesthetic perspective of society. The modern society constantly seeks to achieve slender and delicate figure, and one is attempt to ask, in a humorous perspective, why can’t plumpness be considered beautiful?
The creativity of art in terms of deforming human figuration is correlated with the inner struggles or one’s own experience in life; it reflects emotion onto the transfiguration of deformed human figure in way of empathetic; it is artists’ way of expressing emotions. Through imagination and transformation, to pursue the interesting concept of modeling "specious" to real human proportions, to draw the line between likeness and otherwise, creating the possibility of witty, the extend the image of beauty proposed by the writer. To convey to the viewer the contradictory mentality in humorous way, with irony, playful, fantasy aesthetic approach criticize the emptiness and pretentiousness of prevailing aestheticism, and then seek to bring the aestheticism from different cultures to rebuild confidence of an individual.
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