影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例

碩士 === 國立高雄師範大學 === 台灣歷史文化及語言研究所 === 103 === ABSTRACT The objective of this thesis is to investigate and induce role transitions for generations of Hakka women in Taiwan from the 19th Century to the 21th Century. Tourist Gaze and Semiotics of Cinema are used to analyze filmic texts and images base o...

Full description

Bibliographic Details
Main Author: 彭秀娟
Other Authors: 劉正元教授
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/57659131546106168118
id ndltd-TW-103NKNU5642014
record_format oai_dc
spelling ndltd-TW-103NKNU56420142016-12-22T04:19:05Z http://ndltd.ncl.edu.tw/handle/57659131546106168118 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 彭秀娟 碩士 國立高雄師範大學 台灣歷史文化及語言研究所 103 ABSTRACT The objective of this thesis is to investigate and induce role transitions for generations of Hakka women in Taiwan from the 19th Century to the 21th Century. Tourist Gaze and Semiotics of Cinema are used to analyze filmic texts and images base on three films, which are " Blue Brave: The Legend of Formosa in 1895", “Marriages of three sisters", and “Love keeps Going ". Furthermore, analyzing film clips of Hakkas, image reproductions of Hakka women and cultural background, and adding codes of adjacent shaft axis and the pedigree are main factors to probe into relationships between transformations of social and cultural and changes of Hakka women status. Taiwan society has been experienced political changes, industry transitions, and cultural transformation in the past century. Nuclear family is the dominated family structure today; the costume tends have become more diversities; less authority for generational qualifier and classes; interpersonal relations with peers or colleagues based; changes in frequency of use of Hakka. Hakka women play different roles in society, and take different social responsibilities in their life journeys. Since changes of cultural, the most of transformations of Hakka women are: 1. Men had more chances to receive higher education than women in the past. However, both of men and women have equal accesses to higher education today. 2. Women have more freedom for marital autonomy and have modern marriage concepts and options such as remarry or unmarried. Communication patterns of modern married couples are more independent compare with traditional patterns. However, wives still take major housework. 3. Changes of family and formal education that next generations receive education from family, school and community; changes of pattern of relationship among in- laws. 4. The female labor participation rate has increased; Working women have more economic independence to enhance decision-making power at home; Working women get recognitions of professional capacity. 5. Changing ways to name new born girls. No longer to use "sister" in their names, but tend name girls with glorification and numerology based. Keywords: Hakka, gender, semiotics, image reproduction 劉正元教授 2015 學位論文 ; thesis 131 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立高雄師範大學 === 台灣歷史文化及語言研究所 === 103 === ABSTRACT The objective of this thesis is to investigate and induce role transitions for generations of Hakka women in Taiwan from the 19th Century to the 21th Century. Tourist Gaze and Semiotics of Cinema are used to analyze filmic texts and images base on three films, which are " Blue Brave: The Legend of Formosa in 1895", “Marriages of three sisters", and “Love keeps Going ". Furthermore, analyzing film clips of Hakkas, image reproductions of Hakka women and cultural background, and adding codes of adjacent shaft axis and the pedigree are main factors to probe into relationships between transformations of social and cultural and changes of Hakka women status. Taiwan society has been experienced political changes, industry transitions, and cultural transformation in the past century. Nuclear family is the dominated family structure today; the costume tends have become more diversities; less authority for generational qualifier and classes; interpersonal relations with peers or colleagues based; changes in frequency of use of Hakka. Hakka women play different roles in society, and take different social responsibilities in their life journeys. Since changes of cultural, the most of transformations of Hakka women are: 1. Men had more chances to receive higher education than women in the past. However, both of men and women have equal accesses to higher education today. 2. Women have more freedom for marital autonomy and have modern marriage concepts and options such as remarry or unmarried. Communication patterns of modern married couples are more independent compare with traditional patterns. However, wives still take major housework. 3. Changes of family and formal education that next generations receive education from family, school and community; changes of pattern of relationship among in- laws. 4. The female labor participation rate has increased; Working women have more economic independence to enhance decision-making power at home; Working women get recognitions of professional capacity. 5. Changing ways to name new born girls. No longer to use "sister" in their names, but tend name girls with glorification and numerology based. Keywords: Hakka, gender, semiotics, image reproduction
author2 劉正元教授
author_facet 劉正元教授
彭秀娟
author 彭秀娟
spellingShingle 彭秀娟
影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
author_sort 彭秀娟
title 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
title_short 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
title_full 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
title_fullStr 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
title_full_unstemmed 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
title_sort 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
publishDate 2015
url http://ndltd.ncl.edu.tw/handle/57659131546106168118
work_keys_str_mv AT péngxiùjuān yǐngxiàngzhōngzàixiàndekèjiānǚxìngyǐyībājiǔwǔnǚsādehūnshìměilèjiāyóuwèilì
_version_ 1718405328347856896