影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例
碩士 === 國立高雄師範大學 === 台灣歷史文化及語言研究所 === 103 === ABSTRACT The objective of this thesis is to investigate and induce role transitions for generations of Hakka women in Taiwan from the 19th Century to the 21th Century. Tourist Gaze and Semiotics of Cinema are used to analyze filmic texts and images base o...
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ndltd-TW-103NKNU56420142016-12-22T04:19:05Z http://ndltd.ncl.edu.tw/handle/57659131546106168118 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 彭秀娟 碩士 國立高雄師範大學 台灣歷史文化及語言研究所 103 ABSTRACT The objective of this thesis is to investigate and induce role transitions for generations of Hakka women in Taiwan from the 19th Century to the 21th Century. Tourist Gaze and Semiotics of Cinema are used to analyze filmic texts and images base on three films, which are " Blue Brave: The Legend of Formosa in 1895", “Marriages of three sisters", and “Love keeps Going ". Furthermore, analyzing film clips of Hakkas, image reproductions of Hakka women and cultural background, and adding codes of adjacent shaft axis and the pedigree are main factors to probe into relationships between transformations of social and cultural and changes of Hakka women status. Taiwan society has been experienced political changes, industry transitions, and cultural transformation in the past century. Nuclear family is the dominated family structure today; the costume tends have become more diversities; less authority for generational qualifier and classes; interpersonal relations with peers or colleagues based; changes in frequency of use of Hakka. Hakka women play different roles in society, and take different social responsibilities in their life journeys. Since changes of cultural, the most of transformations of Hakka women are: 1. Men had more chances to receive higher education than women in the past. However, both of men and women have equal accesses to higher education today. 2. Women have more freedom for marital autonomy and have modern marriage concepts and options such as remarry or unmarried. Communication patterns of modern married couples are more independent compare with traditional patterns. However, wives still take major housework. 3. Changes of family and formal education that next generations receive education from family, school and community; changes of pattern of relationship among in- laws. 4. The female labor participation rate has increased; Working women have more economic independence to enhance decision-making power at home; Working women get recognitions of professional capacity. 5. Changing ways to name new born girls. No longer to use "sister" in their names, but tend name girls with glorification and numerology based. Keywords: Hakka, gender, semiotics, image reproduction 劉正元教授 2015 學位論文 ; thesis 131 zh-TW |
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碩士 === 國立高雄師範大學 === 台灣歷史文化及語言研究所 === 103 === ABSTRACT
The objective of this thesis is to investigate and induce role transitions for generations of Hakka women in Taiwan from the 19th Century to the 21th Century. Tourist Gaze and Semiotics of Cinema are used to analyze filmic texts and images base on three films, which are " Blue Brave: The Legend of Formosa in 1895", “Marriages of three sisters", and “Love keeps Going ". Furthermore, analyzing film clips of Hakkas, image reproductions of Hakka women and cultural background, and adding codes of adjacent shaft axis and the pedigree are main factors to probe into relationships between transformations of social and cultural and changes of Hakka women status.
Taiwan society has been experienced political changes, industry transitions, and cultural transformation in the past century. Nuclear family is the dominated family structure today; the costume tends have become more diversities; less authority for generational qualifier and classes; interpersonal relations with peers or colleagues based; changes in frequency of use of Hakka.
Hakka women play different roles in society, and take different social responsibilities in their life journeys. Since changes of cultural, the most of transformations of Hakka women are:
1. Men had more chances to receive higher education than women in the past. However, both of men and women have equal accesses to higher education today.
2. Women have more freedom for marital autonomy and have modern marriage concepts and options such as remarry or unmarried. Communication patterns of modern married couples are more independent compare with traditional patterns. However, wives still take major housework.
3. Changes of family and formal education that next generations receive education from family, school and community; changes of pattern of relationship among in- laws.
4. The female labor participation rate has increased; Working women have more economic independence to enhance decision-making power at home; Working women get recognitions of professional capacity.
5. Changing ways to name new born girls. No longer to use "sister" in their names, but tend name girls with glorification and numerology based.
Keywords: Hakka, gender, semiotics, image reproduction
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劉正元教授 |
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劉正元教授 彭秀娟 |
author |
彭秀娟 |
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彭秀娟 影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 |
author_sort |
彭秀娟 |
title |
影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 |
title_short |
影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 |
title_full |
影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 |
title_fullStr |
影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 |
title_full_unstemmed |
影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 |
title_sort |
影像中再現的客家女性——以「一八九五」、「女仨的婚事」、「美樂加油」為例 |
publishDate |
2015 |
url |
http://ndltd.ncl.edu.tw/handle/57659131546106168118 |
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