body•existence•seeing

• Main Authors: Yang Kai Chun, 楊凱淳
• Other Authors: 陳明輝
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/75699055031823546994

碩士 === 國立高雄師範大學 === 美術學系 === 103 === The body image had been used to symbolically manifestation by artist since time immemorial. The related art, as represented by the depiction of Venus' body and that of the martyr in religious painting to evoke the aesthetic experience. My works are based on body perception, and also influenced by M. Merleau Ponty' s body theory. In recent years , my works is inspired from my own experience and daily events in my life. This theme includes four aspects. The first part is about the routine pattern of commuting has desensitized on my body perception. I presented human’s psychological state nowadays by using performance manifestation and inherent interactive. The second part discussing about the body exists imagery, by using “Shadow”to be an evidence that the body had been exist. Further, I use shadow of emblem as a starting point for an exploration of sense consciousness. And the third part, the idea is about the body relationship between "Self" and "Others". Finally, I discourse about the installation-art of space deployment and the atmosphere building in term of multi-dimension aspect, and analyze the concept of the installation-art. Some of my works combine natural environment and art, and convey the harmonious co-existence between human and nature. This thesis is composed of six chapters: General background information, Concept of the Body, Imagery of the Body, View of the Body, Multi-dimension and conclusion. I adopt theoretical evidence for analyzing and creating artistic works between 2009 and 2015. I also focus on space and interaction of behavior and integrate self-art creation works. Finally, I had some reflection on the proceeding of creation and think of how can it be improved in the future.