Yearning, integration, and relief--the discourse of painting creations by Fang Hsin

• Main Authors: Fang Hsin, 房新
• Other Authors: Hsiao Ming Tun
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/69937618572536277128

碩士 === 國立新竹教育大學 === 藝術與設計學系美勞教學碩士班 === 103 === This creation study focused on the paintings from 2013 to 2014, which used Acrylic, Acrylic gel and sand as main media. Forest plants were used as the carriers of creations. We can embody the painter’s thoughts by these paintings. Forest plants are at the corner of everywhere on our Mother Earth. It has various appearances. Also, it has subtle relationship between itself and people, sometimes opposite, sometimes harmonious, and sometimes coexistent. The painter considers that forest plants can make people entrust their emotions to lives. In 2011, the painter was diagnosed with leukemia. She stayed in the hospital for a long time and found that forest plants filled her with enchantment unexpectedly. She was greatly illuminated for lives by the forest plants to make a self-examination of life attitude. With personal notion of creativity and related cited material, it became the main theme of the paintings. She integrated her ideas and practical ones in the form of her works. There are three goals for this creation study, (1) discussion the relationship between forest plants and people through creation, (2) discussion the relationship between forest plants and self-insight through creation, and (3) discussion the appearances and colors of forest plants through creation. The painter set the study content, a person to the forest plants, as three periodic feelings, yearning, integration, and relief. They can be showed on creations through formalization, then the painter’s image can also be understood indirectly. During the process of study, it was found that from ancient China people had realized the subtle relationship between forest plants and people. Also, this kind of idea can be used on creations. It is believed that when the skills go to the level that follow one's own will, the painters can reach the level following heart, even they forget the skills, they still can draw. About forest plants, the painter has three points to expound, (1) forest plants are emergence of people’s power, (2) forest plants are emergence of people’s perceptual emotion, and (3) exploring the history of life through forest plants. As for skills and media, there are two points to analyze it, (1) making simultaneousness according to Cubism form, and (2) utilizing the shapes and colors of forest plants to make pictures rich and colorful. About main connotation in this creation study, the painter used skill form to express and analyze it. Next, did deep research for works. The painter would like to make her own creation language through the conversation with self and forest plants. Last, show the relationship between people and forest plants.