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• Main Authors: Pei-ling Hsieh, 謝佩玲
• Other Authors: 羅肇錦
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/43982808357128907627

碩士 === 國立中央大學 === 客家語文研究所 === 103 === This article is based on practical linguistic views to discuss use and handling of “the native” in the literature works of Taiwan Hakka writer Zhong Li-He. Firstly, analytic patterns of phonology and semiology in European and American xemantics are referred as concept basis for discussion of “home”, “homeland”, “China” and “hometown”. 9 articles of Zhong Li-He’s works are selected to observe profound connotations of related words in the texts of literature. In addition, the theory of Language Practices of Foucault is extended to find out how ethnic identity is reconstructed and how home emotion is expressed in the contexts of Zhong Li-He’s works. The home is discussed in three parts: his yearning and longing for native, life experience after running to mainland China, and mental changes on way to home, thereby answer the question that where is the native his heart belongs. In the last, we represent the Native from novel to movie to see how native is pictured by Li Hsing the director.