“Nothing Is Greater Than the Show”, A Paradox in History: WU Zu-Guang and the Movement of Chinese Opera Reform (1951-1967)
博士 === 國立交通大學 === 社會與文化研究所 === 103 === Developed from discourses on “national character”, “national style” and “folk character” in current Chinese Modernity issues of East Asia Studies, this dissertation expands the literature reviews of “the Movement of Chinese Opera Reform”(1951-1967). It relocat...
Main Authors: | Liu, Liang-Yen, 劉亮延 |
---|---|
Other Authors: | 劉紀蕙 |
Format: | Others |
Language: | zh-TW |
Published: |
2015
|
Online Access: | http://ndltd.ncl.edu.tw/handle/8qtd7r |
Similar Items
-
WEI, ZU-GUANG
by: WEI, ZU-GUANG, et al. -
The Study of Wu Rong-Guang Calligraphy Thought and Practice
by: Lee-Sheng Chang, et al.
Published: (2009) -
A Research of "Guang Yan Yi Bian" by Wu, Da-Zhen
by: CHEN, PAO-LING, et al.
Published: (2017) -
A survey on YUE dialect in Guang Dong's Yuan Wu Wei
by: Hsin-yi,Peng, et al.
Published: (2005) -
A Study on Wu Zi-Guang's Exegeses of The Spring and Autumn Annals
by: Liao,Wei-Ming, et al.
Published: (2015)