Imagining "Taiwan" by Remembering the Colonial Past:On Film Director Wei Te-Sheng''s “Cape No.7,” “Seediq Bale,” and “KANO”
碩士 === 國立中興大學 === 台灣文學與跨國文化研究所 === 103 === In this thesis, I explore how Wei Te-Sheng constructed Taiwanese identity through three films: "Cape No. 7," "Seediq Bale," and "KANO." Moreover, I also investigate how Japanese colonial memory become a portion of the creation...
Main Authors: | Wen-Yin Huang, 黃文胤 |
---|---|
Other Authors: | 汪俊彥 |
Format: | Others |
Language: | zh-TW |
Published: |
2015
|
Online Access: | http://ndltd.ncl.edu.tw/handle/fu5x29 |
Similar Items
-
The Glorious Impression to Taiwan from Blockbuster Movies. Taking the Director Wei Te-Shen\'s Film \"Cape No.7\", \"Seediq Bale\" and \"KANO\" for example.
by: Hsu, Li-Fu, et al.
Published: (2019) -
A Research on “Warriors of Rainbow: Seediq Bale,” a Film Directed by Te-Sheng Wei
by: Hsu, Chunhui, et al.
Published: (2013) -
Discourse and Identity in Taiwan Film during early 21st Century- Director Wei Te-Shen’s Film Cape no.7 and Seediq Bale as examples
by: Terrence Ying-Tai Lai, et al.
Published: (2012) -
Seediq Bale ancestral faith:Talking about the movie "Seediq Bale"
by: CHEN YA-DAN, et al.
Published: (2017) -
A Study of Relationship among Perceived Value of Brand, Brand Loyalty and Fans Behavior of Movie Seediq Bale:Take the Fan's of Movie Director Wei Te-Shen as An Example
by: Yu-Shin Lu, et al.
Published: (2013)