Explore Chinese opera script retribution Features

碩士 === 銘傳大學 === 應用中國文學系碩士在職專班 === 103 === In China, retribution concepthas a long history and tradition, since the judges and punisher istendo(a concept of god) orspiritual being rather than human beings. Whether they were wise or fool, rich or poor, are not exempt from retribution coming, thus thi...

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Main Authors: Hui-Chuan Tung, 董慧娟
Other Authors: 作者未提供
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/05908564439839378186
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spelling ndltd-TW-103MCU050450472017-01-22T04:14:58Z http://ndltd.ncl.edu.tw/handle/05908564439839378186 Explore Chinese opera script retribution Features 京劇劇本中的果報特色探討 Hui-Chuan Tung 董慧娟 碩士 銘傳大學 應用中國文學系碩士在職專班 103 In China, retribution concepthas a long history and tradition, since the judges and punisher istendo(a concept of god) orspiritual being rather than human beings. Whether they were wise or fool, rich or poor, are not exempt from retribution coming, thus this conception has fairable and generality, content with wish about justice that humanity perused. Therefore, thinking of retribution makes the society peaceful, and become an assist power with moral. Beijing operaorigins from folk Chinese opera, reflected the aspect of Chinese folk culture loyalty, the scenario also presents the real concept of Chineseretribution. The motion of study about this essay were based on 『Xi Kou』(Drama textual research ) , aim at how modern karma belief being presented among the people. When it comes to construction of essay, analyzed how retribution showed in Buddhism and Daoist, even the traditional Chineseretribution thinking. Hoping this could help on studying the scenario deeply with systematicness. And finally reveal how Ten (sky, invisable.nature god), Di(spiritual being), Ren(human) act themselvesevil or be good and the connect with retribution conception. The third part mainly focus on hell punishment and ghost taking revenge, research on the type, the way how, and psycho-factor. The fourth part, talking about how spiritual beings or Goddess make them do things good, prevent from being seduced to do evil.Chapter five, we purely focus on retribution at human world, fulfill the working of Karma system, without the interference from super nature, trying reach the goal of education.At the last chapter, we turned back to retribution culture mentioned in 『Xi Kou』, maybe we can realize the thought about concern toward society by the ancient people, through the extension of retribution theory. 作者未提供 陳富容 2015 學位論文 ; thesis 252 zh-TW
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description 碩士 === 銘傳大學 === 應用中國文學系碩士在職專班 === 103 === In China, retribution concepthas a long history and tradition, since the judges and punisher istendo(a concept of god) orspiritual being rather than human beings. Whether they were wise or fool, rich or poor, are not exempt from retribution coming, thus this conception has fairable and generality, content with wish about justice that humanity perused. Therefore, thinking of retribution makes the society peaceful, and become an assist power with moral. Beijing operaorigins from folk Chinese opera, reflected the aspect of Chinese folk culture loyalty, the scenario also presents the real concept of Chineseretribution. The motion of study about this essay were based on 『Xi Kou』(Drama textual research ) , aim at how modern karma belief being presented among the people. When it comes to construction of essay, analyzed how retribution showed in Buddhism and Daoist, even the traditional Chineseretribution thinking. Hoping this could help on studying the scenario deeply with systematicness. And finally reveal how Ten (sky, invisable.nature god), Di(spiritual being), Ren(human) act themselvesevil or be good and the connect with retribution conception. The third part mainly focus on hell punishment and ghost taking revenge, research on the type, the way how, and psycho-factor. The fourth part, talking about how spiritual beings or Goddess make them do things good, prevent from being seduced to do evil.Chapter five, we purely focus on retribution at human world, fulfill the working of Karma system, without the interference from super nature, trying reach the goal of education.At the last chapter, we turned back to retribution culture mentioned in 『Xi Kou』, maybe we can realize the thought about concern toward society by the ancient people, through the extension of retribution theory.
author2 作者未提供
author_facet 作者未提供
Hui-Chuan Tung
董慧娟
author Hui-Chuan Tung
董慧娟
spellingShingle Hui-Chuan Tung
董慧娟
Explore Chinese opera script retribution Features
author_sort Hui-Chuan Tung
title Explore Chinese opera script retribution Features
title_short Explore Chinese opera script retribution Features
title_full Explore Chinese opera script retribution Features
title_fullStr Explore Chinese opera script retribution Features
title_full_unstemmed Explore Chinese opera script retribution Features
title_sort explore chinese opera script retribution features
publishDate 2015
url http://ndltd.ncl.edu.tw/handle/05908564439839378186
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