Application of elements of Chinese paintings’ realistic genre skills to deliberation and creation of Taiwan’s panorama

• Main Authors: Chi-yen Han, 韓其延
• Other Authors: Tyng-chau Hwang
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/13073540061092098760

碩士 === 嶺東科技大學 === 視覺傳達設計系碩士班 === 103 === A picture surmounts thousands of words. The cultural historic school in the West identifies pictures as an image, making viewers imagine the past vividly and thus exerting the vicarious sensation through vivid pictures. This artwork not only expresses the local humane and scenic features by documenting the local landscapes but also employs the realistic genre painting skills for expressing the rich cultural heritages in Taiwan. 　　First, according to the popular scenic spots database compiled by the Tourism Bureau, the scenic spots with popular, religious, historic and ethnic characteristics were screened and chosen for further selection of visual objects fit for the panorama via analysis and collation. 　　Second, the blueprint planned by referencing the skills and expressive manners of Along the River during the Qingming Festival with the most famous and finest painting techniques picturing the urban prosperity managed an antique atmosphere. The design that adopted the cavalier perspective method exclusive to scrolls not merely renders the overall structural integrity to the screen but also actualizes the intent to express Taiwan’s landscapes via a panorama by including the matters and objects unable to be seen at the same room and time point in one scroll. 　　Finally, the panorama processed by glass printing (full transparence) was displayed at both sides of the corridors at Taiwan Hu-sheng Temple (a glass temple enshrining Mazu the Goddess). The strong hues and colors valued by gold-green landscapes (blue-green scenery) as the main technique in arranging colors aim at conformity to the magnificence of the Temple with the visual banquet full of sublime and solemn, thriving and promising, and densely lush senses. 　　In the recent years, most industries have been confronted with Marketing Taiwan as the key issue to be tackled. It goes without saying that many previous artworks used to express Taiwan with Chinese conventional techniques where the poster medium ranks the top. Inspired by the previous creators, the author expects to let the viewers in respective domains acknowledge the Beauty of Taiwan in appreciating such artwork by describing how beautiful Taiwan is at diverse perspectives of observation in addition to drawing Taiwan in the form of scroll with realistic genre painting skills.