The Combination and Conversion of Thangka Art Style and Interactive Multimedia-Take the Causality of Environmental Pollution for example.

• Main Authors: Jie Cai, 蔡捷
• Other Authors: YUNG-CHUNG CHIU
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/8u8btx

碩士 === 中原大學 === 商業設計研究所 === 103 === 　　Following the industrial revolution in the 18th century, human society has advanced at an immeasurable and significant rate. Apace with the improvements in productivity and technology, people have created comfortable and convenient lifestyles at the expense of natural ecosystems. Consequently, mountains are deforested, rivers and oceans are turbid, and the sky is gray. The world is no longer as beautiful as heaven but rather as horrible as hell. Ecological imbalance has led to extinction, the spread of diseases, famines, and natural disasters. Nature is lashing with various disasters, as if to punish people. 　　In religion, hell is the place where evildoers receive punishments and atone for their crimes after death. Today, people are already answering for the bad karma they have generated for polluting the earth, even before they leave this world. Based on the concept of hell, this study will elucidate the karmic causality between peoples’ pollution behavior and the resulting natural disasters that they face. The study allows the viewers to experience the sense of “falling into hell” by combining the Thangka religious painting style and a multimedia interactive design pattern through the combination and transformation of multimedia. The researchers anticipate that the results of present study will serve as a deterrence to awaken people’s awareness regarding human coexistence with nature and thereby, convey the importance of environmental protection.