| Summary: | 碩士 === 中原大學 === 室內設計研究所 === 103 === Abstract
Shaping is a kind of structure and phenomenon; profundity is a focus and an emotion; impression is a kind of realization and association. When searching for personal memories through impression, people may realize that they experience and understand many things by themselves. When you had certain perception, it could be a circumstance which touched you or once occurred to you in your mind. Maybe, it was the original intention of profound memories. Either brand shaping or personal preferences needs the accumulated experiences and perception at each stage. Perception refers to every process which individuals have gone through in acquiring knowledge, including understanding, thinking, memories, amazement, imagination, conclusion, judgment (Hu, Yu-Hui, 1999). The addition of cultivation of professional designers and experiences from more than two designers will definitely create different circumstances or spacial changes. Perhaps impression comes from many people or personal realization.
Thus, impression on interior space held by residents influences cognitive values. Through design, space often demonstrates the most direct impression, which belongs to the visual perception; the design deduces the complete theme spirit by colors, proportion of shapes, and features of building materials. The impressive design may quickly attract residents’ identification and good impression as well as improve their positions and thoughts on tastes, creating more abundant and premium values.
In the past, when exploring the shaping of profound impression in the interior design, people often quoted relevant terms of styles derived from design creativity to understand the theme spirit of space, including modern, classic, American, casual or mixed styles; however, nowadays, residents have held subjective attitude toward or personal perception of their purposes of life. Instead, design creativity has gradually deviated from formal or traditional frameworks, and the concept of regionalism has no longer been conservative. Based on the demands of residents and planning of professional designers, the theme was conceived through personal preferences; due to limitation of spacial area (ping), a multi-functional design was planned to remove the significant spacial divisions and conform to diversified lifestyles. The definition of styles has become weak, and the impressive images derived from “nature, light, humanity, atmosphere, device, decoration, art, aesthetics, display, and building materials” have taken its place.
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