| Summary: | 碩士 === 台南應用科技大學 === 音樂系碩士班 === 102 === Abstract
Claude Debussy (1862-1918) was a great French composer in the late nineteenth
century. His music was influenced by literature trends at that time, especially by the
Impressionism and the Symbolism.
The twelve etudes were Debussy''s master compositions for piano solo in his late
period. After his creative peak period, Debussy’s music style has a tendency to return
to the absolute music. These twelve etudes fuse both western and oriental
nontraditional music materials. Therefore, the twelve etudes could be considered as
most noticeable auditory aesthetics in his works for piano.
In this thesis, Debussy’s life background and his music styles were introduced.
And then, five piano pieces from the etudes:〈pour les cinq doigts〉、〈pour les
tierces〉、〈pour les degrés chromatiques〉、〈pour les notes répétées〉 and 〈pour
les arpèges composés〉 were selected for analysis and interpretation. After
exploration and research of these selected compositions, the appreciation and
understanding Debussy’s piano music was further enhanced.
Keywords: Debussy、Impressionism、Symbolism、Etudes
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