The Age of Complex-Ching-Pin Wang ceramic art work
碩士 === 台南應用科技大學 === 美術系碩士班 === 102 === Molding and grouting are techniques quite common in the mass production of industrial ceramics applying standardized process and division of labor. With the common ceramic technique, slip casting, the author made a considerable number of replicates as "ele...
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ndltd-TW-102TWCA52330032019-05-15T21:51:25Z http://ndltd.ncl.edu.tw/handle/242rt4 The Age of Complex-Ching-Pin Wang ceramic art work 複數年代-王清品陶藝創作論述 Ching-Pin Wang 王清品 碩士 台南應用科技大學 美術系碩士班 102 Molding and grouting are techniques quite common in the mass production of industrial ceramics applying standardized process and division of labor. With the common ceramic technique, slip casting, the author made a considerable number of replicates as "elements." The concept of " complex number " was set as the center of creation ideas and clay was used as a media in this work in the hope to pursue qualitative features after quantifying. More media application methods and possibility of innovation was sought continuously in the creating process for the attempt to deliver the ceramic work in diverse and plentiful looks. Reflection was made constantly in the production process to understand and enrich myself through this creating process. The theoretical discussion in this work description focuses on modern ceramic development after the 1950s as the focus of carding research. For my own work, elaboration is given for works created at college during 2010-2014. There are five chapters in this study: chapter one-introduction includes creation motive, purpose and study scope and limitations. In chapter two-theoretical discussion, the meaning of plurality is explored; play impulse and symbol in the art work are elaborated. The development of modern ceramics in the East and West is also explored. In chapter three-work expression and practice, work concepts are described including the presentation form of modern ceramic work, the meaning of complex number as creation ideas, as well as the exploration of media and techniques. In chapter four-work discussion and analysis, the creation concepts are expressed with how the work depicts minds and thoughts. Finally, in chapter five is conclusion which discuss these kinds of traditional ceramics that combine the concept of complex number. Then, how to show the artistic techniques in contemporary ceramics works. Besides, look forward to create goods which are found the reflections of Taiwanese social phenomena. The contribution that will be had within the creation of contemporary ceramics works and educational popularisation. 楊盛發 2014 學位論文 ; thesis 74 zh-TW |
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碩士 === 台南應用科技大學 === 美術系碩士班 === 102 === Molding and grouting are techniques quite common in the mass production of industrial ceramics applying standardized process and division of labor. With the common ceramic technique, slip casting, the author made a considerable number of replicates as "elements." The concept of " complex number " was set as the center of creation ideas and clay was used as a media in this work in the hope to pursue qualitative features after quantifying. More media application methods and possibility of innovation was sought continuously in the creating process for the attempt to deliver the ceramic work in diverse and plentiful looks. Reflection was made constantly in the production process to understand and enrich myself through this creating process.
The theoretical discussion in this work description focuses on modern ceramic development after the 1950s as the focus of carding research. For my own work, elaboration is given for works created at college during 2010-2014. There are five chapters in this study: chapter one-introduction includes creation motive, purpose and study scope and limitations. In chapter two-theoretical discussion, the meaning of plurality is explored; play impulse and symbol in the art work are elaborated. The development of modern ceramics in the East and West is also explored. In chapter three-work expression and practice, work concepts are described including the presentation form of modern ceramic work, the meaning of complex number as creation ideas, as well as the exploration of media and techniques. In chapter four-work discussion and analysis, the creation concepts are expressed with how the work depicts minds and thoughts.
Finally, in chapter five is conclusion which discuss these kinds of traditional ceramics that combine the concept of complex number. Then, how to show the artistic techniques in contemporary ceramics works. Besides, look forward to create goods which are found the reflections of Taiwanese social phenomena. The contribution that will be had within the creation of contemporary ceramics works and educational popularisation.
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author2 |
楊盛發 |
author_facet |
楊盛發 Ching-Pin Wang 王清品 |
author |
Ching-Pin Wang 王清品 |
spellingShingle |
Ching-Pin Wang 王清品 The Age of Complex-Ching-Pin Wang ceramic art work |
author_sort |
Ching-Pin Wang |
title |
The Age of Complex-Ching-Pin Wang ceramic art work |
title_short |
The Age of Complex-Ching-Pin Wang ceramic art work |
title_full |
The Age of Complex-Ching-Pin Wang ceramic art work |
title_fullStr |
The Age of Complex-Ching-Pin Wang ceramic art work |
title_full_unstemmed |
The Age of Complex-Ching-Pin Wang ceramic art work |
title_sort |
age of complex-ching-pin wang ceramic art work |
publishDate |
2014 |
url |
http://ndltd.ncl.edu.tw/handle/242rt4 |
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