Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert
碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 102 === Romanticism became prominent in the 19th century. Writers, artists and musicians explored their personal emotions in their books, art works and musical compositions, and further developed a special esthetics that emphasizes on expressing personal emotion...
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ndltd-TW-102TNCA57810102017-05-06T04:25:18Z http://ndltd.ncl.edu.tw/handle/23569241309735617184 Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert 舒伯特《C大調鋼琴與小提琴幻想曲,作品934》之探究 Hsin-Chieh Yang 楊欣潔 碩士 國立臺南藝術大學 鋼琴合作藝術研究所 102 Romanticism became prominent in the 19th century. Writers, artists and musicians explored their personal emotions in their books, art works and musical compositions, and further developed a special esthetics that emphasizes on expressing personal emotions. Franz Schubert (1797-1828) expressed his inner feelings through both his Lieder and instrumental compositions. His ”Fantasie for Piano and Violin, D. 934”, is an excellent representation of Schubert’s personal feelings on Lieder and instrumental music. This fantasie was not well received at the premiere and had not generated good reviews since then. Yet, if one explores its content deeply, it can be seen that Schubert carefully combined the poetic meaning and form of the poem “Sei mir gegrüsst” by Friedrich Rückert(1788-1866) with the instrumental fantasie. This kinds of compositional techniques allow the performers to let their imagination and emotions go free and thus, bring out the unique charm of this fantasie. Chiung-Yi Huang 黃瓊儀 2014 學位論文 ; thesis 72 zh-TW |
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碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 102 === Romanticism became prominent in the 19th century. Writers, artists and musicians explored their personal emotions in their books, art works and musical compositions, and further developed a special esthetics that emphasizes on expressing personal emotions. Franz Schubert (1797-1828) expressed his inner feelings through both his Lieder and instrumental compositions. His ”Fantasie for Piano and Violin, D. 934”, is an excellent representation of Schubert’s personal feelings on Lieder and instrumental music.
This fantasie was not well received at the premiere and had not generated good reviews since then. Yet, if one explores its content deeply, it can be seen that Schubert carefully combined the poetic meaning and form of the poem “Sei mir gegrüsst” by Friedrich Rückert(1788-1866) with the instrumental fantasie. This kinds of compositional techniques allow the performers to let their imagination and emotions go free and thus, bring out the unique charm of this fantasie.
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author2 |
Chiung-Yi Huang |
author_facet |
Chiung-Yi Huang Hsin-Chieh Yang 楊欣潔 |
author |
Hsin-Chieh Yang 楊欣潔 |
spellingShingle |
Hsin-Chieh Yang 楊欣潔 Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert |
author_sort |
Hsin-Chieh Yang |
title |
Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert |
title_short |
Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert |
title_full |
Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert |
title_fullStr |
Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert |
title_full_unstemmed |
Exploring Fantasie for Piano and Violin in C Major, D. 934 by Franz Schubert |
title_sort |
exploring fantasie for piano and violin in c major, d. 934 by franz schubert |
publishDate |
2014 |
url |
http://ndltd.ncl.edu.tw/handle/23569241309735617184 |
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