The voice records that never track back

碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 102 ===   I called this paper “the voice records that never track back”. It is a paper that records my habit of recording. I have been recording since college time and use those recorded into my works. I started using recorded environment voices into extempore perform...

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Bibliographic Details
Main Authors: Hsieh, Feng-Chen, 謝奉珍
Other Authors: 陳建北
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/65782256088700484054
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spelling ndltd-TW-102TNCA55800042017-05-06T04:25:18Z http://ndltd.ncl.edu.tw/handle/65782256088700484054 The voice records that never track back 迴不去的聲音紀錄 Hsieh, Feng-Chen 謝奉珍 碩士 國立臺南藝術大學 造形藝術研究所 102   I called this paper “the voice records that never track back”. It is a paper that records my habit of recording. I have been recording since college time and use those recorded into my works. I started using recorded environment voices into extempore performance in 2009, and then, during 2010 – 2013, when I was a graduate student, I started playing what I have recorded in spaces to spaces to initiate a relationship with certain surroundings. I was trying to develop up new types of works, which its possibilities are made of sounds, spaces, time and any other senses in different surroundings and working situations out of the language and words in voices. The records of the voice standing in my work as a role are not only a situation of tracking back, but also tracking to another path unknown. 陳建北 2014 學位論文 ; thesis 0 zh-TW
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language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 102 ===   I called this paper “the voice records that never track back”. It is a paper that records my habit of recording. I have been recording since college time and use those recorded into my works. I started using recorded environment voices into extempore performance in 2009, and then, during 2010 – 2013, when I was a graduate student, I started playing what I have recorded in spaces to spaces to initiate a relationship with certain surroundings. I was trying to develop up new types of works, which its possibilities are made of sounds, spaces, time and any other senses in different surroundings and working situations out of the language and words in voices. The records of the voice standing in my work as a role are not only a situation of tracking back, but also tracking to another path unknown.
author2 陳建北
author_facet 陳建北
Hsieh, Feng-Chen
謝奉珍
author Hsieh, Feng-Chen
謝奉珍
spellingShingle Hsieh, Feng-Chen
謝奉珍
The voice records that never track back
author_sort Hsieh, Feng-Chen
title The voice records that never track back
title_short The voice records that never track back
title_full The voice records that never track back
title_fullStr The voice records that never track back
title_full_unstemmed The voice records that never track back
title_sort voice records that never track back
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/65782256088700484054
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