| Summary: | 碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 102 === I called this paper “the voice records that never track back”. It is a paper that records my habit of recording. I have been recording since college time and use those recorded into my works. I started using recorded environment voices into extempore performance in 2009, and then, during 2010 – 2013, when I was a graduate student, I started playing what I have recorded in spaces to spaces to initiate a relationship with certain surroundings. I was trying to develop up new types of works, which its possibilities are made of sounds, spaces, time and any other senses in different surroundings and working situations out of the language and words in voices. The records of the voice standing in my work as a role are not only a situation of tracking back, but also tracking to another path unknown.
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