| Summary: | 碩士 === 國立臺南藝術大學 === 應用藝術研究所 === 102 === This thesis paper is a compilation of ideas and experiments that aims to employ ceramics as the primary medium to explore and mediate our senses living in the 21st Century.
It stages many possibilities in which clay – its materiality and its relationship with humankind, can outlive and conceive contemporary imaginations reflecting and negotiating on the how we embody experience in an ever more technologized world.
This is also a journey to make a personal connection, both psychological and physical into its archaic past in search of finding new meaning and relationships between man and technology. By crossbreeding of ideas between the old with the new, it sets out to disrupt and dislocate our perception about time, space and experience while it attempts to capture the aesthetic attitude of this hybrid moment.
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