Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas

碩士 === 淡江大學 === 西班牙語文學系碩士班 === 102 === El Tiempo Entre Costuras was published in June, 2009. It speaks about Sira Quiroga, an ordinary girl born in Madrid, who turned from an inconspicuous seamstress, petite and meticulous, to one that set foot in Spain, Morocco, and was even involved in the spy mis...

Full description

Bibliographic Details
Main Authors: Yuh-Rour Chen, 陳語柔
Other Authors: Lim, Shen-Bin
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/79089405460512904062
id ndltd-TW-102TKU05155004
record_format oai_dc
spelling ndltd-TW-102TKU051550042016-05-22T04:40:29Z http://ndltd.ncl.edu.tw/handle/79089405460512904062 Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas 愛與記憶---瑪麗亞‧杜埃尼亞斯的《時間裁縫師》的主題分析 Yuh-Rour Chen 陳語柔 碩士 淡江大學 西班牙語文學系碩士班 102 El Tiempo Entre Costuras was published in June, 2009. It speaks about Sira Quiroga, an ordinary girl born in Madrid, who turned from an inconspicuous seamstress, petite and meticulous, to one that set foot in Spain, Morocco, and was even involved in the spy missions in the Spanish Civil War and World War II. This novel also lists the author, Maria Duenas, formerly a linguistics professor, as one of the world’s best-selling authors. The first chapter of the thesis is Introduction, where the motivation, aim, methods, and literature are expounded, ensued by a discussion of the research scope and limitations. Chapter Two introduces the life of the author and the writing of El Tiempo Entre Costuras, coupled with a brief synopsis of the story and characters in the novel. The thesis aims to explore and analyze the themes of love and memory used in the story. Therefore, in Chapter Three, love is further discussed and categorized into four types, according to C.S. Lewis. The story not only contains love between men and women, but also love in friendship, parents and children, and lastly in patriotism. Chapter Four focuses on the theme of memory. It is observed that the story, which is based on the memory of the leading character, Sira, employs a great number of metaphors, either on the collective memory of the historic and societal events, or on the individual memory of the personal experience and growth. It is found that the images of people, happenings, and adventures in the story are in many ways analogous to those of dress-making. After deliberate inspection, it is reasoned that dress-making, or cloth-sewing signifies the concept of time and memory. Weaved by time, fate, and history, a series of adventures unfold. People can best be depicted as cloths, whereas time is the seamstress. Browsing through memory is like an inventory of all the dresses which are tailored, cut and seamed. The Last chapter is conclusion, which sums up what is mainly discussed in each of the previous chapters. Lim, Shen-Bin 林盛彬 2014 學位論文 ; thesis 101 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 淡江大學 === 西班牙語文學系碩士班 === 102 === El Tiempo Entre Costuras was published in June, 2009. It speaks about Sira Quiroga, an ordinary girl born in Madrid, who turned from an inconspicuous seamstress, petite and meticulous, to one that set foot in Spain, Morocco, and was even involved in the spy missions in the Spanish Civil War and World War II. This novel also lists the author, Maria Duenas, formerly a linguistics professor, as one of the world’s best-selling authors. The first chapter of the thesis is Introduction, where the motivation, aim, methods, and literature are expounded, ensued by a discussion of the research scope and limitations. Chapter Two introduces the life of the author and the writing of El Tiempo Entre Costuras, coupled with a brief synopsis of the story and characters in the novel. The thesis aims to explore and analyze the themes of love and memory used in the story. Therefore, in Chapter Three, love is further discussed and categorized into four types, according to C.S. Lewis. The story not only contains love between men and women, but also love in friendship, parents and children, and lastly in patriotism. Chapter Four focuses on the theme of memory. It is observed that the story, which is based on the memory of the leading character, Sira, employs a great number of metaphors, either on the collective memory of the historic and societal events, or on the individual memory of the personal experience and growth. It is found that the images of people, happenings, and adventures in the story are in many ways analogous to those of dress-making. After deliberate inspection, it is reasoned that dress-making, or cloth-sewing signifies the concept of time and memory. Weaved by time, fate, and history, a series of adventures unfold. People can best be depicted as cloths, whereas time is the seamstress. Browsing through memory is like an inventory of all the dresses which are tailored, cut and seamed. The Last chapter is conclusion, which sums up what is mainly discussed in each of the previous chapters.
author2 Lim, Shen-Bin
author_facet Lim, Shen-Bin
Yuh-Rour Chen
陳語柔
author Yuh-Rour Chen
陳語柔
spellingShingle Yuh-Rour Chen
陳語柔
Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas
author_sort Yuh-Rour Chen
title Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas
title_short Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas
title_full Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas
title_fullStr Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas
title_full_unstemmed Love and Memory: A thematic analysis of El Tiempo Entre Costuras by Maria Duenas
title_sort love and memory: a thematic analysis of el tiempo entre costuras by maria duenas
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/79089405460512904062
work_keys_str_mv AT yuhrourchen loveandmemoryathematicanalysisofeltiempoentrecosturasbymariaduenas
AT chényǔróu loveandmemoryathematicanalysisofeltiempoentrecosturasbymariaduenas
AT yuhrourchen àiyǔjìyìmǎlìyàdùāiníyàsīdeshíjiāncáifèngshīdezhǔtífēnxī
AT chényǔróu àiyǔjìyìmǎlìyàdùāiníyàsīdeshíjiāncáifèngshīdezhǔtífēnxī
_version_ 1718276181483061248