On the Chinese Architecture Aesthetics Via the Principle of “Philosophy of changes”

• Main Authors: Lai Chih-Yueh, 賴志岳
• Other Authors: George Wei
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/2z4rvy

碩士 === 東海大學 === 哲學系 === 102 === We can investigate “Philosophy of changes” to see the spirit that the Chinese architecture implied, from space behavior, architectural language to overall space series connection. Softly, it reveals Chinese’s Truthfulness, Compassion, and Beauty. With the integration of Truthfulness, Compassion, and Beauty, creates nature from abstruse, even reveals “dao’s” aesthetic feeling. From philosophy’s point of view to see the architectural content, in order to review ancient architectural spirit and symbolism, responding to Chinese architectural essence and environmental ethics. Then probing philosophy of changes and overall Chinese architectural art─ philosophical problems about rigidity and flexible, ying and yang, technique, and structure. There are conjunctions between garden design and philosophy of changes. Chinese architectural aesthetics influenced by philosophy of changes. What is Chinese architecture? We use the structure’s main part as the study content, and by the following content to discover the beauty of Chinese architecture. Extending to the architecture and nature’s correspond and ethics, architectural view and architectural art that were symbiotic with nature；feng shui and environmental science. We are going to focus on how to coexistent with nature, the relationship between human and architecture, the connection between architecture and nature. The guiding principle that Philosophy of changes has formed, influenced how Chinese architecture integrated into nature, and integrally formed. Returning to architectural ethics and moral, we are going to study architectural quality and cultural tie. What’s more, the moral requests that philosophy of changes had toward participants, and the influence that architecture had on human nature. It can be resolved layer by layer, yet it goes on. Just like in a Chinese architecture, a monomer space can be seen as an independent space, but is also linked together with the overall space, forming an entirety. Being the same outside and inside is the subtlety of Chinese architecture. “Philosophy of changes” is truly the connotation of Chinese knowledge system, regardless of poems or musical composition, or even landscape architecture. Philosophy of changes removed, traditional Chinese aesthetics will be mere formality, even vague. As a result, works that intrinsic Philosophy of changes, without exception, bears an implicit of ethereal and marvelous spirit. This is the hinge of Chinese aesthetics.