| Summary: | 碩士 === 國立臺灣藝術大學 === 戲劇學系表演藝術碩士班 === 102 === When the culture has been overwhelmed by the globalization nowadays, the Interdisciplinary of art creation has been a long history in western country. At the same time, the localization awareness and cross disciplinary artworks has been developed in Taiwan in recent years. In order to show the nationality or the national characteristic, localization artworks make great strides forward to the world.
However, the locality fusion jazz which improvising with the familiar music element. A new cross-cultural aesthetics has becoming an important role in the development of music in Taiwan. Therefore, the issues such as aesthetic criteria transform of music, functions of music and the cultural identity of music and so on, all need to be reviewed and rethought. This research aims to analyze the work - " Wang Chuen Feng "," Ching Ke Sau"," Tau Hua Guo Du " in Jazz Erhu, through the analysis to see the significance and value of folk songs of Fusion Jazz in Taiwan.
In conclusion, this research aimed to explore the music characteristics through the case study of Jazz Erhu, the work is combines with Taiwan Folksongs, Jazz and Arabic music, to observe the aesthetic characteristics of cross-cultural, and to analyze the cultural identity, musical interpretation. Second, as the aesthetic viewpoint, the Taiwan Folksong is the objective, however, as the musical technic viewpoint, the different cultures are biased on equally emphasized. Hence, the different cross-cultural interpretations are produced from different angles and attitude to listen the same work, that is not able to interpret from the existing judgment to standardize the aesthetic criterion. Therefore, the cross-cultural works nowadays presents diverse and integrated things and meanings.
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