General Yue Fei and His Calligraphy in the Ming Dynasty
碩士 === 國立臺灣大學 === 藝術史研究所 === 102 === This thesis,by focusing Yue Fei’s (1103-1142,岳飛) calligraphy for the Study of the Ming Dynasty (1368-1644) of Yue Fei image. First, the article discusses the Southern Song Dynasty to the Ming Dynasty, Yue Fei''s family for calligraphy works for...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2014
|
Online Access: | http://ndltd.ncl.edu.tw/handle/90784495891123351526 |
id |
ndltd-TW-102NTU05545004 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-102NTU055450042016-03-09T04:24:04Z http://ndltd.ncl.edu.tw/handle/90784495891123351526 General Yue Fei and His Calligraphy in the Ming Dynasty 岳飛形象與岳飛書法在明代的發展及轉變 Pei-Jou Chuang 莊珮柔 碩士 國立臺灣大學 藝術史研究所 102 This thesis,by focusing Yue Fei’s (1103-1142,岳飛) calligraphy for the Study of the Ming Dynasty (1368-1644) of Yue Fei image. First, the article discusses the Southern Song Dynasty to the Ming Dynasty, Yue Fei''s family for calligraphy works for the collection, sorting, transfer possession. Secondly, the article discusses the family of Yue Fei, Yue Fei’s temple, Yue Fei’s stories, folk beliefs and Taoism Fu Luan writing, (biography) Yue Fei calligraphy works under the impact of these four themes. In the Southern Song Dynasty ,Yue Fei’s calligraphy documented cases from Yue Ke (1183-1243,岳珂) collection. At this time,Yue Fei''s calligraphy, mostly letters, body style to the Su-oriented. In order to enhance the status of the family, Yue Fei’s family succession collection book traces heritage. After using style analysis works, found that many of Yue Fei’s calligraphy in the Ming Dynasty style features, and many more cursive based. Through the relevant records,this paper roughly appearance reconstruction works of Yue Fei’s calligraphy works. I find that,After the establishment of the Four temple- Yue Fei ‘s Temple in Hangzhou West Lake(杭州西湖), Henan Tangyin(河南湯陰)eds,. Maixiu (15th century, birth and death unknown) in Yue Fei ‘s Temple of Hangzhou West Lake through artifacts and (pass) calligraphic inscriptions show Yue Fei’s new image.In the meantime, Wang Shizhen (1526-1590) will be Wen Zhengming (1470-1559) [title hand Edict] calligraphic inscriptions in Hangzhou West Lake stand for the image of Yue Fei put forward their responses. In addition, the novels and drama of Yue Fei, become a source of inspiration and affect the content of the work later. Planchette writing, from the Northern and Southern Dynasties Zigu belief since the fusion of traditional Taoist writing, to the continuing spread of the Ming Dynasty. Yue Fei’s (1103-1142,岳飛) calligraphy forged, combining political ideal , regional folk beliefs and literati, showing complex image. Hui-Wen LU 盧慧紋 2014 學位論文 ; thesis 228 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 國立臺灣大學 === 藝術史研究所 === 102 === This thesis,by focusing Yue Fei’s (1103-1142,岳飛) calligraphy for the Study of the Ming Dynasty (1368-1644) of Yue Fei image. First, the article discusses the Southern Song Dynasty to the Ming Dynasty, Yue Fei''s family for calligraphy works for the collection, sorting, transfer possession. Secondly, the article discusses the family of Yue Fei, Yue Fei’s temple, Yue Fei’s stories, folk beliefs and Taoism Fu Luan writing, (biography) Yue Fei calligraphy works under the impact of these four themes. In the Southern Song Dynasty ,Yue Fei’s calligraphy documented cases from Yue Ke (1183-1243,岳珂) collection. At this time,Yue Fei''s calligraphy, mostly letters, body style to the Su-oriented. In order to enhance the status of the family, Yue Fei’s family succession collection book traces heritage. After using style analysis works, found that many of Yue Fei’s calligraphy in the Ming Dynasty style features, and many more cursive based.
Through the relevant records,this paper roughly appearance reconstruction works of Yue Fei’s calligraphy works. I find that,After the establishment of the Four temple- Yue Fei ‘s Temple in Hangzhou West Lake(杭州西湖), Henan Tangyin(河南湯陰)eds,. Maixiu (15th century, birth and death unknown) in Yue Fei ‘s Temple of Hangzhou West Lake through artifacts and (pass) calligraphic inscriptions show Yue Fei’s new image.In the meantime, Wang Shizhen (1526-1590) will be Wen Zhengming (1470-1559) [title hand Edict] calligraphic inscriptions in Hangzhou West Lake stand for the image of Yue Fei put forward their responses. In addition, the novels and drama of Yue Fei, become a source of inspiration and affect the content of the work later. Planchette writing, from the Northern and Southern Dynasties Zigu belief since the fusion of traditional Taoist writing, to the continuing spread of the Ming Dynasty. Yue Fei’s (1103-1142,岳飛) calligraphy forged, combining political ideal , regional folk beliefs and literati, showing complex image.
|
author2 |
Hui-Wen LU |
author_facet |
Hui-Wen LU Pei-Jou Chuang 莊珮柔 |
author |
Pei-Jou Chuang 莊珮柔 |
spellingShingle |
Pei-Jou Chuang 莊珮柔 General Yue Fei and His Calligraphy in the Ming Dynasty |
author_sort |
Pei-Jou Chuang |
title |
General Yue Fei and His Calligraphy in the Ming Dynasty |
title_short |
General Yue Fei and His Calligraphy in the Ming Dynasty |
title_full |
General Yue Fei and His Calligraphy in the Ming Dynasty |
title_fullStr |
General Yue Fei and His Calligraphy in the Ming Dynasty |
title_full_unstemmed |
General Yue Fei and His Calligraphy in the Ming Dynasty |
title_sort |
general yue fei and his calligraphy in the ming dynasty |
publishDate |
2014 |
url |
http://ndltd.ncl.edu.tw/handle/90784495891123351526 |
work_keys_str_mv |
AT peijouchuang generalyuefeiandhiscalligraphyinthemingdynasty AT zhuāngpèiróu generalyuefeiandhiscalligraphyinthemingdynasty AT peijouchuang yuèfēixíngxiàngyǔyuèfēishūfǎzàimíngdàidefāzhǎnjízhuǎnbiàn AT zhuāngpèiróu yuèfēixíngxiàngyǔyuèfēishūfǎzàimíngdàidefāzhǎnjízhuǎnbiàn |
_version_ |
1718200483716268032 |