The Use of Visual Technologies in Contemporary Taiwanese Painting： A Case Study of Lo Chan Peng’s Works

• Main Authors: Ssu-Wei Chiu, 邱思瑋
• Other Authors: Chi-Ming Lin
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/34k68j

碩士 === 國立臺北教育大學 === 藝術與造形設計學系碩士班 === 102 === Development of visual technology, so that the form of realistic painting constantly changing and style, from the perspective of law, photography to the birth of digital technology and different media derived from a different painting style; and technology not only affects the painting style also affects society development of. Because each era art and society are closely related, as society has become a media generation, and "image" has become the power to communicate with people as when the artist inevitably use the image as a use of media. Because of perceived impact of the current digital technology the way artists and style presented differs from martial law 80 era before the occasion, so I want to work by Lo Chan Peng analyzes are currently young artists (the strawberry generation or called E generations) of painting features and creative way. Architecture research from the development process of visual technology lay ahead, especially changes in photography and digital technology, it is the focus we need to clarify the context of development; supplemented by the development of Taiwan realistic painting, helps in the analysis Luozhan Peng analysis works text. Thesis Lo Chan Peng’s works media language, symbolic elements, composition methods to analyze and try to interpret the cultural significance of the image produced by the fabric. The content of the change caused by artists, including the causes of Strawberry's, E generation upbringing, sub-culture, these are the artists need to include a reference point, which can be a complete and detailed analysis of the works presented contemporary Lo Chan Peng and value lies.