李斯特鋼琴改編曲-以四種題材為例
碩士 === 國立臺灣師範大學 === 音樂學系 === 102 === Transcription in nineteenth-century is considered an important genre. Numerous musicians had participated in transcribing different types of works. Franz Liszt is considered the most well-known and representative arranger in this time. His Piano transcriptions ha...
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ndltd-TW-102NTNU52480382016-07-02T04:20:53Z http://ndltd.ncl.edu.tw/handle/09000326396993639294 李斯特鋼琴改編曲-以四種題材為例 Lu yu-lan 呂郁嵐 碩士 國立臺灣師範大學 音樂學系 102 Transcription in nineteenth-century is considered an important genre. Numerous musicians had participated in transcribing different types of works. Franz Liszt is considered the most well-known and representative arranger in this time. His Piano transcriptions have three purposes. First of all, to promote a particular composers, who he respected and appreciated their works. Such as Bach’s organ pieces, Beethoven’s Symphonies. Second, to provide an attractive concert repertoire. Liszt took themes from famous and popular pieces, or used elegant melodies to be his composed materials, and then these works would played in his piano recitals. Finally, to show and advance piano techniques. Liszt used lots of difficult techniques in his transcriptions, including octave, sixth, scale, arpeggio, across hand… etc. This thesis will discuss 4 types of Liszt piano transcriptions. To start with, the author will investigate his life experiences and the formation of his piano musical style. Secondly, to introduce the development and classification of piano transcriptions. Thirdly, the author will analyzed 4 different types of transcriptions, such as lieder, opera, instrument and orchestra works, including Grandes études de Paganini, Ave Maria, Widmung, Paraphrase of Rigoletto, and Dance Macabre. To explain how he transcribe these works, the author will analyzed in terms of form, structure, harmony, texture, melody, rhythm, tempo… etc. Finally, the author will discuss interpretations in these works, such as piano technique, pedal, touch method, tempo, imitate the orchestra timbre… etc. Liszt was skilled in transcribing various types of music. He respected the original pieces, transcribing these pieces from original one, and gave different interpretations of original source material. In most works, he showed great creative and personal style. 鍾家瑋 2014 學位論文 ; thesis 175 zh-TW |
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碩士 === 國立臺灣師範大學 === 音樂學系 === 102 === Transcription in nineteenth-century is considered an important genre. Numerous musicians had participated in transcribing different types of works. Franz Liszt is considered the most well-known and representative arranger in this time. His Piano transcriptions have three purposes. First of all, to promote a particular composers, who he respected and appreciated their works. Such as Bach’s organ pieces, Beethoven’s Symphonies. Second, to provide an attractive concert repertoire. Liszt took themes from famous and popular pieces, or used elegant melodies to be his composed materials, and then these works would played in his piano recitals. Finally, to show and advance piano techniques. Liszt used lots of difficult techniques in his transcriptions, including octave, sixth, scale, arpeggio, across hand… etc.
This thesis will discuss 4 types of Liszt piano transcriptions. To start with, the author will investigate his life experiences and the formation of his piano musical style. Secondly, to introduce the development and classification of piano transcriptions. Thirdly, the author will analyzed 4 different types of transcriptions, such as lieder, opera, instrument and orchestra works, including Grandes études de Paganini, Ave Maria, Widmung, Paraphrase of Rigoletto, and Dance Macabre. To explain how he transcribe these works, the author will analyzed in terms of form, structure, harmony, texture, melody, rhythm, tempo… etc. Finally, the author will discuss interpretations in these works, such as piano technique, pedal, touch method, tempo, imitate the orchestra timbre… etc.
Liszt was skilled in transcribing various types of music. He respected the original pieces, transcribing these pieces from original one, and gave different interpretations of original source material. In most works, he showed great creative and personal style.
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鍾家瑋 |
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鍾家瑋 Lu yu-lan 呂郁嵐 |
author |
Lu yu-lan 呂郁嵐 |
spellingShingle |
Lu yu-lan 呂郁嵐 李斯特鋼琴改編曲-以四種題材為例 |
author_sort |
Lu yu-lan |
title |
李斯特鋼琴改編曲-以四種題材為例 |
title_short |
李斯特鋼琴改編曲-以四種題材為例 |
title_full |
李斯特鋼琴改編曲-以四種題材為例 |
title_fullStr |
李斯特鋼琴改編曲-以四種題材為例 |
title_full_unstemmed |
李斯特鋼琴改編曲-以四種題材為例 |
title_sort |
李斯特鋼琴改編曲-以四種題材為例 |
publishDate |
2014 |
url |
http://ndltd.ncl.edu.tw/handle/09000326396993639294 |
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