| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 102 === "Creativen art is a wonderful combination of human thought and spiritual activities."
In this research, creative artwork is discussed from 2010 to 2014 by recalling from memory, focusing on abstract paintings, according to life and travel experiences. In the process, special feelings in the arena of learning creative artwork from the initial contact with the impressionism style, are discussed. Later on modern architecture and industrial design influenced the creative art style. From the different interdisciplinary arts, self-existence analysis is explored. Over the years, the author’s thoughts were re-positioned to be more organized and clarified, from the past memories perspective, in order to release true nner feelings, to a lyrical abstract painting of creative form expression.
In this thesis, the author explains aesthetics ackground and research motivation, in the early acceptance of artistic painting. After a period of time, the opportunity for creative art developed. The author began to rethink the limits of nature and human existence, applied in an artistic psychological form, including western and eastern multiculturalism of ideas in abstract forms. The author’s explanation traces many memories, images and an emotional release from which creative ideas were brought forth. This exploration and pursuit caused a deep inner spirituality, a value of life, and a return to nature. Potential was nherent in the author's diverse artistic form and personally Conservative ethos as creation performance research. Creative practice works can be divided into a three-part series, "Dancing Life", "Concealing Emerged Meaning", and "Burning Memories-blur," to form an interpretation of creative ideas to explain the value of life, using a theory of disproving, to guide the final conclusion of self-concept.
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