Gaze ‧ See ─The Construction and Expression of Female Body Image in Ink Painting Creative Discourse

• Main Authors: Chang, Yu-Chen, 張玉珍
• Other Authors: Chen, Chien-Fa
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/k8pqg4

碩士 === 國立臺南大學 === 美術學系視覺藝術教學碩士班 === 102 === We have a ruler of measure in our mind when we gaze. This ruler comes from the people socializing with others, the same standard of society and culture been etched out, this standard affects people's point of view. Female body for self-identity has been subject to gender roles, and been influenced by traditional cultural norms because we can not change the inherent physiological traits coupled with acquired social learning concept of gender. So women have a special feminine situation. This situation has shaped the unique female body image, a profound impact on womens’ attitude toward themselves. The study explores the construction and expression of female body image from the viewing of gaze and seeing. On the one hand, it takes up "male gaze" and "female gaze" two ways to see, trying to explain the important factor that influences female body image, revealing the psychological and behavioral changes when women were gazed and gazing. On the other hand it explores the process that women liberated from the object of being gazed and being seen, through traditional and modern ink female image analysis and creative experiment examines the construction process of self-consciousness, and re-stares the state of mind to accept true self. Through this writing, the author concluds the constructed context of female body image reflected for lost themselves, and enjoyable expression in creative practice and also lay a solid foundation for the expansion of personal creativity.