A Study on the Ink painting Taiwan’s Contemporary Popular Consumption and Amusement Image Development

• Main Authors: Wang, Yi-Zhen, 王奕蓁
• Other Authors: Chen, Chien-Fa
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/52841230429406349831

碩士 === 國立臺南大學 === 美術學系碩士班 === 102 === This thesis applies modern ink painting as a medium to socially observe the consumption culture of swarming into queues. Taiwan’s society in recent times is in an odd phenomenon of swarming consumption; the common ground is sudden rise to fame, but it fades away soon and then goes begging. This thesis divides the creation study into two series: “Films and TV series” and “Healing Commercial Possibilities series” to analyze these social phenomena of popular consumption and amusement in Taiwan. This thesis is divided into five chapters. Chapter One, introduction, elaborates on the research motive, objective, method, structure, range and glossary. Chapter Two is creation principle basis; through sorting pop consumption and amusement, society observation document data, and theory books, it discusses the meaning of current contemporary pop consumption and amusement. Chapter Three is the discussion of the Ink painting for image development of Taiwan’s contemporary pop consumption and amusement, practice methods, and media application. Chapter Four analyzes the works of five key series and illustrates the creation concepts and styles of single works. Chapter Five, conclusion, reflects on the creation and research of this thesis; it is expected to have more independent and judgmental spirits in art creation.