Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire>

碩士 === 國立清華大學 === 台灣文學研究所 === 102 === Abstract Dong Nien (1950~) published his first novel <The Book of the Dead> in 1971. Since publishing <One hundred pigeons> in <中外文學> in 1973, he has been prolific in writing, and edited <Rain Town> and <Fire> in the 1970s when lo...

Full description

Bibliographic Details
Main Author: 陳玟蓁
Other Authors: 陳建忠
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/6qwe39
id ndltd-TW-102NTHU5625006
record_format oai_dc
spelling ndltd-TW-102NTHU56250062019-05-15T21:42:04Z http://ndltd.ncl.edu.tw/handle/6qwe39 Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire> 失鄉的反叛者──以東年七○年代小說 《落雨的小鎮》、《大火》為研究中心 陳玟蓁 碩士 國立清華大學 台灣文學研究所 102 Abstract Dong Nien (1950~) published his first novel <The Book of the Dead> in 1971. Since publishing <One hundred pigeons> in <中外文學> in 1973, he has been prolific in writing, and edited <Rain Town> and <Fire> in the 1970s when local literature was dominant. In observation of his publishing history, one can easily notice that Dong Nien has had a profound interest in depicting Taiwanese society as well as its history. The current study is organized as follows. Chapter one delves into previous research on the works of Dong Nien and points out that little is understood about earlier works of Dong Nien, something that motivated the current study. Chapter two illustrates the literacy background of Dong Nien, who was raised up between the 1950s and the 1970s. The chapter further delineates the integration of and interaction between the “contemporary” and “local” elements in literature. It also explains Dong Nien’s rationale behind selecting <中外文學> and <聯合報> for publishing his works. Chapter three revolves around social themes such as problems resulting from relocation of residence due to urbanization, constraints imposed by an awareness of social classes, and the intricate relationship between among individuals. Chapter four, on the basis of Dong Nien’s earlier works, categorizes the characters into “the frustrated”, “betrayers”, and “movers”, accounting for why the characters in Dong Nien’s works were largely characterized by plaintiveness. Chapter five explores the rhetorical devices employed in Dong Nien’s works, devices that serve to symbolize the difficulty confronted by the local culture in the face of a changing society. Key words: Dong Nien, 1970s, <Rain Town>, <Fire>, Rural-Urban issues, Resurgence/Restoration of local culture 陳建忠 2014 學位論文 ; thesis 111 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立清華大學 === 台灣文學研究所 === 102 === Abstract Dong Nien (1950~) published his first novel <The Book of the Dead> in 1971. Since publishing <One hundred pigeons> in <中外文學> in 1973, he has been prolific in writing, and edited <Rain Town> and <Fire> in the 1970s when local literature was dominant. In observation of his publishing history, one can easily notice that Dong Nien has had a profound interest in depicting Taiwanese society as well as its history. The current study is organized as follows. Chapter one delves into previous research on the works of Dong Nien and points out that little is understood about earlier works of Dong Nien, something that motivated the current study. Chapter two illustrates the literacy background of Dong Nien, who was raised up between the 1950s and the 1970s. The chapter further delineates the integration of and interaction between the “contemporary” and “local” elements in literature. It also explains Dong Nien’s rationale behind selecting <中外文學> and <聯合報> for publishing his works. Chapter three revolves around social themes such as problems resulting from relocation of residence due to urbanization, constraints imposed by an awareness of social classes, and the intricate relationship between among individuals. Chapter four, on the basis of Dong Nien’s earlier works, categorizes the characters into “the frustrated”, “betrayers”, and “movers”, accounting for why the characters in Dong Nien’s works were largely characterized by plaintiveness. Chapter five explores the rhetorical devices employed in Dong Nien’s works, devices that serve to symbolize the difficulty confronted by the local culture in the face of a changing society. Key words: Dong Nien, 1970s, <Rain Town>, <Fire>, Rural-Urban issues, Resurgence/Restoration of local culture
author2 陳建忠
author_facet 陳建忠
陳玟蓁
author 陳玟蓁
spellingShingle 陳玟蓁
Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire>
author_sort 陳玟蓁
title Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire>
title_short Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire>
title_full Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire>
title_fullStr Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire>
title_full_unstemmed Rootless betrayer is centered on the two novels written in the 1970s : <Rain Town> and <Fire>
title_sort rootless betrayer is centered on the two novels written in the 1970s : <rain town> and <fire>
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/6qwe39
work_keys_str_mv AT chénwénzhēn rootlessbetrayeriscenteredonthetwonovelswritteninthe1970sraintownandfire
AT chénwénzhēn shīxiāngdefǎnpànzhěyǐdōngniánqīniándàixiǎoshuōluòyǔdexiǎozhèndàhuǒwèiyánjiūzhōngxīn
_version_ 1719117436169486336