Study of The Flower Imagery of Contemporary Hakka Poets’s Poems

• Main Authors: Tseng, Man-Tang, 曾滿堂
• Other Authors: Chung, Ping-Lan
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/38444929958826863741

碩士 === 國立屏東教育大學 === 文化創意產業學系 === 102 === 　　This thesis take the flower subjects of the contemporary Hakka poets as the study context and choose the poet Fang-Ge, Du Pan who is born in the Japan age, the poets Guei-hai, Tseng and Yu-fang, Li of the post World War II first generation, the poet Fang-tsu, Chang of the post World War II second generation, the poet Yi-fan, Qiu of the post World War II third generation as the investigation objects. We use the flower subjects to investigate the style of imagery utilized by individual poet and open the multifarious window to outline the historical memory and the cultural substance of the Hakka 　　This thesis adopts the Literature Review Methodology to investigate the development process of the Hakka literature and clarifying the logic and concepts related to the study topic by means of the related literature. We also do the retrospective summarization of the era and works for the objects under study and confirm the necessity and feasibility of the topic under study from various orientations of the study for the contemporary Hakka poets. To make sure that the topic of the study owns the cornerstone, we will proceed the theoretical retrospect from the aspects of「Theories of creative writing 」and「Theories of image」. 　　In the perspective of「The performance of the flower subject of Contemporary Hakka Poets」, we divide the poems into six categories. We use「Theories of image」and「Rhetoric」to investigate the perspective of「The intersection of the poets's idea and the objective image of flower」. As for the「Flower image of Hakka ethnic groups and cultural substance」, we use the following subjects of memory: apparel, food and drink, folk, grass-roots, landscape, faith and history to open the multifarious window of Hakka culture. 　　It shows from our study that, the flower subjects of contemporary Hakka poets include:coco magnolia, banana magnolia, sweet osmanthus, magnolia , small shell flower , daffodil, Epiphyllum, sunflower,a total of 25 kinds.This thesis focus on the vivid flower symbol and we expect that the flower poetry can be the new element of constructing the Hakka imagery of Taiwan in addition to the ecological poems, politics poems, grass-roots poems and countryside poems.