| Summary: | 碩士 === 國立高雄師範大學 === 客家文化研究所 === 102 === The treatise is based on the writer’s personal experience in a Taiwanese opera troupe, and written in the type of reflexive ethnography through a non-self- role "Niutree." The ethnography will veraciously present the interaction between the people, the stories, the years, the places, and things of that time, furthermore investigate the treatment of a Hakka-boy in a Taiwanese opera troupe, or even the treatment of Hakka in present-day society of superior Taiwanese culture. Perhaps the role Niutree is a reflection of the relation between Hakka and the society. The main purpose of the article is to observe the encounter, conflict and adaption of a Hakka boy who lives in a strong Taiwanese culture, through the role, Niutree. Nowadays Taiwanese culture is stronger than Hakka culture, the article is going to expatiate what Hakka people may encounter in Taiwanese culture, and how they handle it. The most different viewpoint with other articles is the personal experience of the writer. He is thinking outside the box himself. On account of being a member of that Taiwanese opera troupe, the writer understands what situation Hakka might encounter and feel while living in Taiwanese culture. As a result, he can realize the progress of mental reactions of Niutree, and write honestly by the style of ethnography. The references are the full field notes of participating in investigation and interviewing with local elders during Jun. 2009 to Sep. 2012 in a Taiwanese opera troupe. The article is a narrative writing and based on real stories. According to these stories, the writer raises theories to prove it with stage and backstage repeatedly and obtains the ultimate conclusion.
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