Studies on Musical Aesthetics of Yushan School Guqin

• Main Authors: Ya-Ling Wu, 吳雅玲
• Other Authors: Shu-Chi Hunan
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/66599790776631941744

碩士 === 南華大學 === 民族音樂學系 === 102 === 　　During Jiajing and Wanli Periods of Ming Dynasties, Yushan School was an important guqin branch. Yushan School had unique physiographical characteristics. Its founder, Yan Tianchi, believed in a Ching, Wei, Dan, and Yuan guqin style as well as the qinxue of “Xi Shan Qin Kuang” by Xu Shangying. Together, they created the distinguished features of Yushan school in Ming Dynasty. Its performing style and qinxue’s theories also impacted guqin aesthetics styles and guqin beauty appreciation spirits of the time. Besides, it also influenced the guqin claims and beauty appreciation arts after the Ming and Qing Dynasties to some extent. 　 　　Although the aesthetics in “Songxian Guan Qinpu” and “Dahuan'ge Qinpu” were not exactly the same, the differences were not big. While performing, it asked for “harmony” as well as a “Ching,Wei , Dan, Yuan, profound, peace” qinxue style. This represented a long- lasting and inter-connected beauty appreciation arts and aesthetics spirits after combined with “unity and harmony” Nature presented while performing. guqin melodies. 　 　　This thesis referred to literatures and guqin templates for analysis. Contemporary celebrity giqun players are interviewed. Their opinions are interpreted to further explain why the beauty appreciation spirits of Yushan School guqin aesthetics are still top of guqin aesthetics art.