Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng

碩士 === 南華大學 === 視覺與媒體藝術學系 === 102 ===   My paper is depended on to reveal a relationship of mechanism with arts and their interaction by which I integrate electronic and mechanism in arts; therefore it is a research on the interdisciplinary for visual arts. In general the creator is seen only as its...

Full description

Bibliographic Details
Main Authors: Han-Tsung Teng, 鄧漢聰
Other Authors: Cheng-Jen Lin
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/33028262556063758409
id ndltd-TW-102NHU00616004
record_format oai_dc
spelling ndltd-TW-102NHU006160042016-03-14T04:13:32Z http://ndltd.ncl.edu.tw/handle/33028262556063758409 Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng 動靜之間-鄧漢聰立體造形創作論述 Han-Tsung Teng 鄧漢聰 碩士 南華大學 視覺與媒體藝術學系 102   My paper is depended on to reveal a relationship of mechanism with arts and their interaction by which I integrate electronic and mechanism in arts; therefore it is a research on the interdisciplinary for visual arts. In general the creator is seen only as its author, the audiences can only play a role for watching. Such understanding causes a static way to arts, that means that the audiences would be far away from the ideas of the authors. Artworks are only decoration and allowed to be touched only by eyes and ears, but not by hands. According to my research artworks are able to be really explored by a new way of the idea of interaction in which we can see artworks as a curious game. In order to combine the distance between artworks and watchers my ways for creation are followings: to research the literatures for the understanding of seniors. Another way is based on the method of action which makes my creation to become easier. The purposes of my paper are: 1. To build the interrelations between arts and mechanism by the ideas of creation. 2. In order to make arts closer to public the three dimensional shape is showed by way of interaction through which a static exhibition of art can be interpreted by a new way. 3. To build a creative direction for future.     Five series are produced according to such creative ideas: 1. Controlled by wire; 2. by touch; 3. by sound; 4. by wireless remote; and 5. by light Cheng-Jen Lin 林正仁 2014 學位論文 ; thesis 89 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 南華大學 === 視覺與媒體藝術學系 === 102 ===   My paper is depended on to reveal a relationship of mechanism with arts and their interaction by which I integrate electronic and mechanism in arts; therefore it is a research on the interdisciplinary for visual arts. In general the creator is seen only as its author, the audiences can only play a role for watching. Such understanding causes a static way to arts, that means that the audiences would be far away from the ideas of the authors. Artworks are only decoration and allowed to be touched only by eyes and ears, but not by hands. According to my research artworks are able to be really explored by a new way of the idea of interaction in which we can see artworks as a curious game. In order to combine the distance between artworks and watchers my ways for creation are followings: to research the literatures for the understanding of seniors. Another way is based on the method of action which makes my creation to become easier. The purposes of my paper are: 1. To build the interrelations between arts and mechanism by the ideas of creation. 2. In order to make arts closer to public the three dimensional shape is showed by way of interaction through which a static exhibition of art can be interpreted by a new way. 3. To build a creative direction for future.     Five series are produced according to such creative ideas: 1. Controlled by wire; 2. by touch; 3. by sound; 4. by wireless remote; and 5. by light
author2 Cheng-Jen Lin
author_facet Cheng-Jen Lin
Han-Tsung Teng
鄧漢聰
author Han-Tsung Teng
鄧漢聰
spellingShingle Han-Tsung Teng
鄧漢聰
Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng
author_sort Han-Tsung Teng
title Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng
title_short Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng
title_full Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng
title_fullStr Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng
title_full_unstemmed Between Static and Dynamic-Three-Dimensional Works Production by Han-Tsung Teng
title_sort between static and dynamic-three-dimensional works production by han-tsung teng
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/33028262556063758409
work_keys_str_mv AT hantsungteng betweenstaticanddynamicthreedimensionalworksproductionbyhantsungteng
AT dènghàncōng betweenstaticanddynamicthreedimensionalworksproductionbyhantsungteng
AT hantsungteng dòngjìngzhījiāndènghàncōnglìtǐzàoxíngchuàngzuòlùnshù
AT dènghàncōng dòngjìngzhījiāndènghàncōnglìtǐzàoxíngchuàngzuòlùnshù
_version_ 1718204361808543744