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碩士 === 國立中央大學 === 客家語文研究所 === 102 === The thesis deals with the textual structures and the progress of what they participated in the social transition among the Novel Qiu Ju, the Movie Green Green Leaves Of Home and the TV drama Teenagers in the Tobacco Field as well as identifies the structural m...

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Main Authors: I-shan Chang, 張伊珊
Other Authors: 羅肇錦
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/23x7ef
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spelling ndltd-TW-102NCU057740392019-05-15T21:32:35Z http://ndltd.ncl.edu.tw/handle/23x7ef none 小說《秋菊》與電影《青春無悔》、 電視劇《菸田少年》之互文性研究 I-shan Chang 張伊珊 碩士 國立中央大學 客家語文研究所 102 The thesis deals with the textual structures and the progress of what they participated in the social transition among the Novel Qiu Ju, the Movie Green Green Leaves Of Home and the TV drama Teenagers in the Tobacco Field as well as identifies the structural mode of significance in each text through the theory of intertextuality. With written language and image of the mass media, each text just separately reveals the formation and awareness of Hakka consciousness in the various phases of Taiwan society through common subjects, which are local realistic imagery and growth of youth narrative. By way of different narrative, the object of this study focuses on the analysis of plot structures, character shaping and arrangement, and the extension and intension in image between the text of novel and video; moreover, in accordance with the same text, we investigate how it is re-created and interpreted in diverse generations. 羅肇錦 黃菊芳 2014 學位論文 ; thesis 124 zh-TW
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description 碩士 === 國立中央大學 === 客家語文研究所 === 102 === The thesis deals with the textual structures and the progress of what they participated in the social transition among the Novel Qiu Ju, the Movie Green Green Leaves Of Home and the TV drama Teenagers in the Tobacco Field as well as identifies the structural mode of significance in each text through the theory of intertextuality. With written language and image of the mass media, each text just separately reveals the formation and awareness of Hakka consciousness in the various phases of Taiwan society through common subjects, which are local realistic imagery and growth of youth narrative. By way of different narrative, the object of this study focuses on the analysis of plot structures, character shaping and arrangement, and the extension and intension in image between the text of novel and video; moreover, in accordance with the same text, we investigate how it is re-created and interpreted in diverse generations.
author2 羅肇錦
author_facet 羅肇錦
I-shan Chang
張伊珊
author I-shan Chang
張伊珊
spellingShingle I-shan Chang
張伊珊
none
author_sort I-shan Chang
title none
title_short none
title_full none
title_fullStr none
title_full_unstemmed none
title_sort none
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/23x7ef
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AT zhāngyīshān xiǎoshuōqiūjúyǔdiànyǐngqīngchūnwúhuǐdiànshìjùyāntiánshǎoniánzhīhùwénxìngyánjiū
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