Seeing at The Crossroad

碩士 === 國立交通大學 === 應用藝術研究所 === 102 === This thesis of artistic creation emphasizes on the ways of seeing. Chapter I, “Introduction”, is started by describing my experience from childhood. I explained the meanings of sentiments, holes on the heart and the shell of body to myself. I always get inspire...

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Bibliographic Details
Main Authors: Chiang, Kuo-Fei, 江果霏
Other Authors: Lai, Wen-Shu
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/44347874686100893845
Description
Summary:碩士 === 國立交通大學 === 應用藝術研究所 === 102 === This thesis of artistic creation emphasizes on the ways of seeing. Chapter I, “Introduction”, is started by describing my experience from childhood. I explained the meanings of sentiments, holes on the heart and the shell of body to myself. I always get inspire form them and make my creations. In Chapter II, “Literature Reviews”, I narrated viewpoints in ”Ways of Seeing” by John Berger, content in “Introduction to Phenomenology” by Robert Sokolowski, writerly text by Roland Barthes and theories of interpretation by Paul Ricoeur. And then, I introduced artworks made by Chen Chieh-Jen and Virginia Mori and two movies, “Big fish” and “Life of Pie”, to discuss ways of seeing and metaphors of seeing the world in these works. In Chapter III, “Narration by Creator”, I explained the reactions and transformation to distressed incidents in the series works, “Becoming” and I interpreted the theme of self-identity and thought contradiction of normal and abnormal in “Wry”. In Chapter IV, “Conclusion”, I made a review of my past works and the process of writing this thesis, and got deeper realization and revelation to my own.