Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl
碩士 === 國立成功大學 === 外國語文學系 === 102 === Larissa Lai’s Salt Fish Girl features mixed genres and alternate narrative style, with allusions to the Chinese mythological folktale, Nu Wa’s Creation of Mankind, and the Western fairy tale, The Little Mermaid. The “hybridized” writing style is strategically emp...
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ndltd-TW-102NCKU50940992015-10-14T00:12:48Z http://ndltd.ncl.edu.tw/handle/99389251252774245837 Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl 協商加拿大華裔身份認同:黎熹年《鹹魚妹》中的記憶與他者 Meng-ChunHuang 黃孟純 碩士 國立成功大學 外國語文學系 102 Larissa Lai’s Salt Fish Girl features mixed genres and alternate narrative style, with allusions to the Chinese mythological folktale, Nu Wa’s Creation of Mankind, and the Western fairy tale, The Little Mermaid. The “hybridized” writing style is strategically employed to reflect the hybridity of the Asian Canadian identity. This thesis intends to investigate how the Asian Canadian identity is negotiated in the process of creating a fake memory and in the encounter of the other. The first chapter explores how the narrator I embodies the multifarious voices in the distinct memory narratives in the process of doing the remembering in order to deconstruct fixed and essentialist representations of the Asian Canadian identity. The second chapter further explores otherness, embodied by the smells, and how the smells function to distinguish between one and the other and between the other and other others. The thesis concludes with the reflection on the limits of the thesis and with a response to Julia Kristeva’s claim on love for strangers. Shuli Chang 張淑麗 2014 學位論文 ; thesis 72 en_US |
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碩士 === 國立成功大學 === 外國語文學系 === 102 === Larissa Lai’s Salt Fish Girl features mixed genres and alternate narrative style, with allusions to the Chinese mythological folktale, Nu Wa’s Creation of Mankind, and the Western fairy tale, The Little Mermaid. The “hybridized” writing style is strategically employed to reflect the hybridity of the Asian Canadian identity. This thesis intends to investigate how the Asian Canadian identity is negotiated in the process of creating a fake memory and in the encounter of the other. The first chapter explores how the narrator I embodies the multifarious voices in the distinct memory narratives in the process of doing the remembering in order to deconstruct fixed and essentialist representations of the Asian Canadian identity. The second chapter further explores otherness, embodied by the smells, and how the smells function to distinguish between one and the other and between the other and other others. The thesis concludes with the reflection on the limits of the thesis and with a response to Julia Kristeva’s claim on love for strangers.
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author2 |
Shuli Chang |
author_facet |
Shuli Chang Meng-ChunHuang 黃孟純 |
author |
Meng-ChunHuang 黃孟純 |
spellingShingle |
Meng-ChunHuang 黃孟純 Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl |
author_sort |
Meng-ChunHuang |
title |
Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl |
title_short |
Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl |
title_full |
Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl |
title_fullStr |
Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl |
title_full_unstemmed |
Negotiating Asian Canadian Identity: Memory and Otherness in Larissa Lai’s Salt Fish Girl |
title_sort |
negotiating asian canadian identity: memory and otherness in larissa lai’s salt fish girl |
publishDate |
2014 |
url |
http://ndltd.ncl.edu.tw/handle/99389251252774245837 |
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