The Inheritance of Seal Engraving Art since Taiwan Restoration.

碩士 === 明道大學 === 國學研究所 === 102 === The evolution of Taiwan Seal Carving can be traced back to Qing dynasty, pioneered by early immigrants from Mainland China, and was carried forward by those seal artists settled down in Taiwan. The inheritance is all based on the epigraphy and the principle of s...

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Main Authors: Yung-Mao Tsai, 蔡永茂
Other Authors: Wei-The Chen
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/24104362308584789737
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spelling ndltd-TW-102MDU000460032015-10-13T23:37:09Z http://ndltd.ncl.edu.tw/handle/24104362308584789737 The Inheritance of Seal Engraving Art since Taiwan Restoration. 台灣光復後篆刻藝術之傳承 Yung-Mao Tsai 蔡永茂 碩士 明道大學 國學研究所 102 The evolution of Taiwan Seal Carving can be traced back to Qing dynasty, pioneered by early immigrants from Mainland China, and was carried forward by those seal artists settled down in Taiwan. The inheritance is all based on the epigraphy and the principle of seal craving. From the beginning, this study analyzes the morphology of seal from the Warring States period to Qing dynasty, based on the theory of Seal. Then, the article goes on to classify each of unique seal craving styles that rose during Ming and Qing dynasties. The continued discussion of seal carving evolution after Republic of China established focuses on whether Chinese traditional seal carving styles were influenced by intruder’s culture while under Japanese Occupation; in this part, the article also discusses how modern seal craving artists polished their skills and certain new conceptions derivatized from tradition. Then, the author critics certain existing seal craving related activities, including clubs, education institutes, awards, publishers and websites. Particularly, the publishing of professional forums, columnists, journals have absolutely enhanced the Art of Seal Carving research and prevalence in Taiwan. Besides, setting foundations of the seal carving awards have also accelerated the rise of new talents, which is critical to succeed skill and culture. After introducing the development background, author then individually presents the characteristics among the first three generations of Taiwan seal carving artist; neat or messy, succeed the spirit from calligraphy or sculpture, each unique styles could be classified accordingly even in a tiny craft. To sum up, the author sorts out the references about current evolution of Taiwan seal carving, and makes it a mirror reflecting the advantages and the drawbacks, so that would help to arrange the way inheriting the past and forging ahead into the future. Wei-The Chen 陳維德 2014 學位論文 ; thesis 202 zh-TW
collection NDLTD
language zh-TW
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description 碩士 === 明道大學 === 國學研究所 === 102 === The evolution of Taiwan Seal Carving can be traced back to Qing dynasty, pioneered by early immigrants from Mainland China, and was carried forward by those seal artists settled down in Taiwan. The inheritance is all based on the epigraphy and the principle of seal craving. From the beginning, this study analyzes the morphology of seal from the Warring States period to Qing dynasty, based on the theory of Seal. Then, the article goes on to classify each of unique seal craving styles that rose during Ming and Qing dynasties. The continued discussion of seal carving evolution after Republic of China established focuses on whether Chinese traditional seal carving styles were influenced by intruder’s culture while under Japanese Occupation; in this part, the article also discusses how modern seal craving artists polished their skills and certain new conceptions derivatized from tradition. Then, the author critics certain existing seal craving related activities, including clubs, education institutes, awards, publishers and websites. Particularly, the publishing of professional forums, columnists, journals have absolutely enhanced the Art of Seal Carving research and prevalence in Taiwan. Besides, setting foundations of the seal carving awards have also accelerated the rise of new talents, which is critical to succeed skill and culture. After introducing the development background, author then individually presents the characteristics among the first three generations of Taiwan seal carving artist; neat or messy, succeed the spirit from calligraphy or sculpture, each unique styles could be classified accordingly even in a tiny craft. To sum up, the author sorts out the references about current evolution of Taiwan seal carving, and makes it a mirror reflecting the advantages and the drawbacks, so that would help to arrange the way inheriting the past and forging ahead into the future.
author2 Wei-The Chen
author_facet Wei-The Chen
Yung-Mao Tsai
蔡永茂
author Yung-Mao Tsai
蔡永茂
spellingShingle Yung-Mao Tsai
蔡永茂
The Inheritance of Seal Engraving Art since Taiwan Restoration.
author_sort Yung-Mao Tsai
title The Inheritance of Seal Engraving Art since Taiwan Restoration.
title_short The Inheritance of Seal Engraving Art since Taiwan Restoration.
title_full The Inheritance of Seal Engraving Art since Taiwan Restoration.
title_fullStr The Inheritance of Seal Engraving Art since Taiwan Restoration.
title_full_unstemmed The Inheritance of Seal Engraving Art since Taiwan Restoration.
title_sort inheritance of seal engraving art since taiwan restoration.
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/24104362308584789737
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