“Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation

碩士 === 崑山科技大學 === 視覺傳達設計研究所 === 102 === Starting with the observation of daily thoughts and recording of emotional transition from daily personal letters, diary, and scribbles, the researcher of the current thesis experienced a fantastic journey to self-exploration. The painting style of Mandala wa...

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Main Authors: Chen,Yi-Chen, 陳懿甄
Other Authors: Huang,Wen-Yung
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/47699b
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spelling ndltd-TW-102KSUT06340122019-05-15T21:23:13Z http://ndltd.ncl.edu.tw/handle/47699b “Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation 「繪說-繪話」:觀察自我創作日記 Chen,Yi-Chen 陳懿甄 碩士 崑山科技大學 視覺傳達設計研究所 102 Starting with the observation of daily thoughts and recording of emotional transition from daily personal letters, diary, and scribbles, the researcher of the current thesis experienced a fantastic journey to self-exploration. The painting style of Mandala was employed as a ritual creation for self-coordination, through which the individual self neglected in the developmental process was realized and empathized. By means of the pictorial contents displayed in works, negative emotions were allowed for an exit and the individual self could enter subsequently to realize and observe, making the symbolic connotation of painting a door to reacquainting the individual self. This journey enabled the individual self to uncover the inner emotional conditions waiting to be realized, leading the individual self to gradually realize that the reason for inner contradiction resulted from unfulfilled needs in the childhood… Huang,Wen-Yung 黃文勇 2014 學位論文 ; thesis 102 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 崑山科技大學 === 視覺傳達設計研究所 === 102 === Starting with the observation of daily thoughts and recording of emotional transition from daily personal letters, diary, and scribbles, the researcher of the current thesis experienced a fantastic journey to self-exploration. The painting style of Mandala was employed as a ritual creation for self-coordination, through which the individual self neglected in the developmental process was realized and empathized. By means of the pictorial contents displayed in works, negative emotions were allowed for an exit and the individual self could enter subsequently to realize and observe, making the symbolic connotation of painting a door to reacquainting the individual self. This journey enabled the individual self to uncover the inner emotional conditions waiting to be realized, leading the individual self to gradually realize that the reason for inner contradiction resulted from unfulfilled needs in the childhood…
author2 Huang,Wen-Yung
author_facet Huang,Wen-Yung
Chen,Yi-Chen
陳懿甄
author Chen,Yi-Chen
陳懿甄
spellingShingle Chen,Yi-Chen
陳懿甄
“Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation
author_sort Chen,Yi-Chen
title “Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation
title_short “Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation
title_full “Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation
title_fullStr “Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation
title_full_unstemmed “Pictorial storytelling-pictorial dialogue”:Diary creation of self-observation
title_sort “pictorial storytelling-pictorial dialogue”:diary creation of self-observation
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/47699b
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