| Summary: | 碩士 === 國立金門大學 === 閩南文化研究所 === 102 === Quemoy folk belief in the gods as a continuation of the ancient Indian system of official chapter, although there is general temples and monasteries are currently carried out a variety of styles often seen its use, but most people are not well understood for this matter, it can not be further that it contains the image of the divine right and ritual significance.
In this study, literature review, the first of the origins and evolution of the gods of India to explore. And methods of fieldwork, Kinmen Indian temples to the gods as the research object belongs to, investigating and recording and use of profiles for the current shape of the Indian gods, and according to the analysis and discussion of the results of this study in order to able to temple origin, shape, management and use of time and other part of the Indian gods have a basic understanding and interpretation and explore its cultural significance behind it.
The results showed that: the external shape of the Department of Indian gods adopted by the temple mediums time and commissioned engraving craftsmen and economic capacity of the temple, and have different styles. On the management side, are based on the different needs of the temple, with the mutual management and differences. Gods and India are guided by the literati and scholars to spread in the community about the Indian legend rendering, and discuss the interaction between the wave bestowed by the gods, such as the social environment caused so deeply rooted in the Indian gods common people in mind, and use Indian temple where God specifically constructed its theocratic image. Another seal printed using the gods through ritual routine and non-routine timing, please understand that evil system of Indian towns and character to make the altar, banners, etc. Wuying cover seals the gods, the gods represented by the certification, but given its divine power and significance.
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