Immortal Gebai─Ink Paintig Creation by Chan Bin

• Main Authors: Chan,Bin, 詹邠
• Other Authors: Nieh,Hui-Yun
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/4m8yd8

碩士 === 華梵大學 === 美術學系碩士班 === 102 === Ink painting is a fascinating art that has been passed on since ancient time. Many literati long and learn to imitate the artistic conceptions of ancient topple. The majority of famous masters started out with the imitation of the fundamental techniques of ancient people. Nonetheless, it is highly important lesson to imitate the ancient people without being totally controlled by the styles of ancient people, in order to create own styles and artistic concepts. The paper starts out from the ancient techniques integrated with the cultural context of the creator, thereby to create ink paintings with exceptional styles and apply the concepts of “Immortal Gebai” throughout the paper, in attempt to interpret the artistic characteristics of the author. This paper is divided into six chapters: Chapter One: The introduction provides a description on the research motives and purpose of author. The chapter then discusses how to integrate and present new concepts using the deformationism of characters in late Ming Dynasty, identify research scope, including the deformation styles of Chen Hong-Shou and contemporary elements such as popular language in youth, comic caricature, and mask culture, in addition to explaining the research methods employed by the paper. Chapter Two: Detailed analysis on the impact of deformationism. Through the presentation approach to the deformed characters of Chen Hong-Shou, the paper explores into the styles in learning the grace and plainness of ancient people as well as the peculiarity and overwhelming concepts of artistic styles, in addition to the separation and reunion between self and reality. The paper also discusses the special artistic style presented under the interactions between the two. Chapter Three: Detailed analysis on the impact of contemporary elements: The chapter is divided into three sections, namely the impact and use of popular language in Taiwanese youth, presentation of comic caricature paintings, and the sorrow under the mask, which describes how the contemporary elements affect the ink paintings of this paper. Chapter Four: The chapter analyzes and explains personal creativity concepts and formation and styles and concepts of creativity. The chapter expounds into the painting presentation of the author through the artistic styles of Chen Hong-Shou’s paintings and the impact of contemporary elements, in addition to preparing a comprehensive analysis on the drawing, ink, styles, artistic conceptions, and media. Chapter Five: Analysis on personal creation. The chapter provides in-depth analysis on the “Immortal Gebai” series and discusses the concepts and formation of personal arts. Chapter Six: Conclusion. The conclusion describes the expectation and prospects for the future with consideration on the conflicts and fusion between the co-existence of traditional ink painting and the contemporary culture.