The new social relations through the craft translation process－a case of BanTou Community in Chiayi County

• Main Authors: Yu-ting Huang, 黃瑜婷
• Other Authors: Ching-Yi Wang
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/86857264543618633696

碩士 === 國立雲林科技大學 === 文化資產維護系碩士班 === 101 === Because of the Changes in Demand, the development of Cochin Ceramic and Chien-Nien craft in Taiwan have been changed. As the different needs of the times, the craft presented diversiform performances, and be connected with life. The residents'' opinions were cohesive in the process of community constructions, the craft became the demands of local industry. In the process of community constructions, the characteristic of the craft was promoted again. The participation of community-building actions, the craft was connected with life, and the community relationships were changing. The creative experience of the craft, the roles and status of the process was not only to rethink, but also became an aesthetic lifestyle. Through BanTou community building experience, researched the process of the craft cultural translation, and the temporary position of the craft. In the basis of Cochin Ceramic and Chien-Nien craft cultural translation and community public art theories, proceeding the community fieldwork. Through interviewed with community residents in depth, and observed the interaction. To analyze the fieldwork information, and researched the process of the craft cultural translation. The study found: 1.Community craft to create with experience, the residents'' opinions were cohesive, showing a concept of craft arts community. 2.Setup process for public art which were pointed out that the transformation of the community interpersonal, the transformation of the industry type. Finally, the community became unique consuming landscapes. 3.Community public art performance in rural imagery, because a single style of art, it was difficult to show the unique style of the place. 4.Continuing relationship to create actions, the craft’s solemn feelings shifted, producing the sort of understanding of life aesthetics, and participated in arts action. 5.Craft cultural translation’s interactions, aesthetic concept of the process to life became the craft era character performance.