The Container of emotion -The transposition relations between objects
碩士 === 國立臺北藝術大學 === 新媒體藝術學系碩士班 === 101 === "The Container of emotion" is produced from the delicate relationship between man and creation, stemming from thoughts on the interaction of the object and self. The process began with the experience of objects and everyday concerns. The first k...
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ndltd-TW-101TNUA58610132019-05-15T21:02:52Z http://ndltd.ncl.edu.tw/handle/79m6hd The Container of emotion -The transposition relations between objects 情感載體-異變的物件關係 Shih-Fu YU 盂施甫 碩士 國立臺北藝術大學 新媒體藝術學系碩士班 101 "The Container of emotion" is produced from the delicate relationship between man and creation, stemming from thoughts on the interaction of the object and self. The process began with the experience of objects and everyday concerns. The first kinetic art work《The "O" series》 sees the object as the protagonist,The concept comes from perceiving objects in everyday phenomena and using mechanical components to simulate the personality of inorganic compounds. Many times has the significance of this creation been examined over the year. The work 《Physical Installation》 tells the story of interpersonal relationships, it plays the role of a affiliation (sensory extension) as the connotation of this piece. Recent works 《Meteor R》 returns to self experiences and memories, sees the object as a "reproduction" interface, to convey memories with visual shock, using multiple creative experiences to understand the current state of the creation, this is the creative style of "self-expression through objects". Ya-Lun TAO 陶亞倫 2013 學位論文 ; thesis 44 zh-TW |
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碩士 === 國立臺北藝術大學 === 新媒體藝術學系碩士班 === 101 === "The Container of emotion" is produced from the delicate relationship between man and creation, stemming from thoughts on the interaction of the object and self.
The process began with the experience of objects and everyday concerns. The first kinetic art work《The "O" series》 sees the object as the protagonist,The concept comes from perceiving objects in everyday phenomena and using mechanical components to simulate the personality of inorganic compounds. Many times has the significance of this creation been examined over the year.
The work 《Physical Installation》 tells the story of interpersonal relationships, it plays the role of a affiliation (sensory extension) as the connotation of this piece.
Recent works 《Meteor R》 returns to self experiences and memories, sees the object as a "reproduction" interface, to convey memories with visual shock, using multiple creative experiences to understand the current state of the creation, this is the creative style of "self-expression through objects".
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author2 |
Ya-Lun TAO |
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Ya-Lun TAO Shih-Fu YU 盂施甫 |
author |
Shih-Fu YU 盂施甫 |
spellingShingle |
Shih-Fu YU 盂施甫 The Container of emotion -The transposition relations between objects |
author_sort |
Shih-Fu YU |
title |
The Container of emotion -The transposition relations between objects |
title_short |
The Container of emotion -The transposition relations between objects |
title_full |
The Container of emotion -The transposition relations between objects |
title_fullStr |
The Container of emotion -The transposition relations between objects |
title_full_unstemmed |
The Container of emotion -The transposition relations between objects |
title_sort |
container of emotion -the transposition relations between objects |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/79m6hd |
work_keys_str_mv |
AT shihfuyu thecontainerofemotionthetranspositionrelationsbetweenobjects AT yúshīfǔ thecontainerofemotionthetranspositionrelationsbetweenobjects AT shihfuyu qínggǎnzàitǐyìbiàndewùjiànguānxì AT yúshīfǔ qínggǎnzàitǐyìbiàndewùjiànguānxì AT shihfuyu containerofemotionthetranspositionrelationsbetweenobjects AT yúshīfǔ containerofemotionthetranspositionrelationsbetweenobjects |
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