Museum''s Art Practice in Community：The Research on “Street Fun, Fun Street” Community Art Festival of The Museum of Contemporary Arts in Taipei

• Main Authors: Pei-Tzu Lo, 羅珮慈
• Other Authors: 廖仁義
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/c8ump8

碩士 === 國立臺北藝術大學 === 博物館研究所碩士班 === 103 === The target of this research is based on “Street Fun, Fun Street Community Art Festival” of The Museum of Contemporary Arts in Taipei (MOCA), and the discussion of how to construct community consciousness and its identification. MOCA is located in Tatung district of Taipei City. The long history of the museum is a convergence of both historical and cultural assets for the residents of the city, and this is exactly what has accomplished the uniqueness of its geographical and humanism status. Since 2009, MOCA has been using “Art intervention” as a starting point to plan a series of art projects for the community exhibition, based on the strategies of “Community substantial management ”, “Cultural integration of new and old”, and “Life- Aesthetic education”. From series of “Exhibition surrounding Zhongshan metro station” to the yearly hold “Fun Street Community Art Festival”, MOCA has been planning and promoting various forms of art and activities through the cooperation with the local artists and to obtain the elements of creation from the local community, attempting to motivate the link between art and the people by leading-in the creations of the young artists and the esthetics of the civilization. The study primarily focuses on two faces—“The community and art under the Taiwan cultural policy ” and “Museum and the practice of community art”. Firstly, the thesis review the cultural policies of Taiwan in order to understand the background of how community and art complement each other; secondly, we discuss the relationship between the museum and the community. This thesis also analyze the development of the modern art museum and its changes in the aspect of the role it plays in the society by realizing the interaction between the museum and the community; furthermore, to understand the interaction between the art museum and the community education of fine art. We will compare it with the changes of international trend of thought to clarify its development within Taiwan. Lastly, through the case study of “Fun Street Community Art Festival” allows us to perceive the whole concept of how MOCA and the community interact with each other through the practice of fine art, and we can therefore make an analysis on the link of how MOCA integrates resources and spaces to turn display value into the motivations of self-development.