The Outlet from the Floating Island
碩士 === 國立臺北藝術大學 === 美術學系碩士班創作組 === 101 === If you go straight in one direction across Eurasia, you might pass through many different countries and hear a variety of languages. However, on an island, there are only two possibilities for such a journey: running into a mountain or the sea...
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ndltd-TW-101TNUA52350082018-04-10T17:23:18Z http://ndltd.ncl.edu.tw/handle/8jud89 The Outlet from the Floating Island 漂浮島嶼的出口 Ching-Yuan Chen 陳敬元 碩士 國立臺北藝術大學 美術學系碩士班創作組 101 If you go straight in one direction across Eurasia, you might pass through many different countries and hear a variety of languages. However, on an island, there are only two possibilities for such a journey: running into a mountain or the sea. Or, you would just find yourself back at your original starting point. Like a bad joke, these surroundings are just repeated iterations of themselves. For me, this has inspired certain creative imaginations, and I have added details and events of this particular story to my current work to conduct an interpretation of the story’s atmosphere. This enables it to gradually take form as that net on the wall. I look forward to this net’s self-transformation into a type of medium that continuously proliferates and spreads (a bit like a forum generated by fans that holds a large amount of fan video and art). This is a method unique to contemporary records and calligraphy history. This might explain why I utilize painting images as a starting point to produce works that continuously revolve around this focus. However, it may come in the form of a small animation, a movie, or an on-stage play. Kai-Huang Chen 陳愷璜 2013 學位論文 ; thesis 81 zh-TW |
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碩士 === 國立臺北藝術大學 === 美術學系碩士班創作組 === 101 === If you go straight in one direction across Eurasia, you might pass through many different countries and hear a variety of languages. However, on an island, there are only two possibilities for such a journey: running into a mountain or the sea. Or, you would just find yourself back at your original starting point. Like a bad joke, these surroundings are just repeated iterations of themselves. For me, this has inspired certain creative imaginations, and I have added details and events of this particular story to my current work to conduct an interpretation of the story’s atmosphere. This enables it to gradually take form as that net on the wall. I look forward to this net’s self-transformation into a type of medium that continuously proliferates and spreads (a bit like a forum generated by fans that holds a large amount of fan video and art). This is a method unique to contemporary records and calligraphy history. This might explain why I utilize painting images as a starting point to produce works that continuously revolve around this focus. However, it may come in the form of a small animation, a movie, or an on-stage play.
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author2 |
Kai-Huang Chen |
author_facet |
Kai-Huang Chen Ching-Yuan Chen 陳敬元 |
author |
Ching-Yuan Chen 陳敬元 |
spellingShingle |
Ching-Yuan Chen 陳敬元 The Outlet from the Floating Island |
author_sort |
Ching-Yuan Chen |
title |
The Outlet from the Floating Island |
title_short |
The Outlet from the Floating Island |
title_full |
The Outlet from the Floating Island |
title_fullStr |
The Outlet from the Floating Island |
title_full_unstemmed |
The Outlet from the Floating Island |
title_sort |
outlet from the floating island |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/8jud89 |
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