The Outlet from the Floating Island

碩士 === 國立臺北藝術大學 === 美術學系碩士班創作組 === 101 === If you go straight in one direction across Eurasia, you might pass through many different countries and hear a variety of languages. However, on an island, there are only two possibilities for such a journey: running into a mountain or the sea...

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Bibliographic Details
Main Authors: Ching-Yuan Chen, 陳敬元
Other Authors: Kai-Huang Chen
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/8jud89
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spelling ndltd-TW-101TNUA52350082018-04-10T17:23:18Z http://ndltd.ncl.edu.tw/handle/8jud89 The Outlet from the Floating Island 漂浮島嶼的出口 Ching-Yuan Chen 陳敬元 碩士 國立臺北藝術大學 美術學系碩士班創作組 101 If you go straight in one direction across Eurasia, you might pass through many different countries and hear a variety of languages. However, on an island, there are only two possibilities for such a journey: running into a mountain or the sea. Or, you would just find yourself back at your original starting point. Like a bad joke, these surroundings are just repeated iterations of themselves. For me, this has inspired certain creative imaginations, and I have added details and events of this particular story to my current work to conduct an interpretation of the story’s atmosphere. This enables it to gradually take form as that net on the wall. I look forward to this net’s self-transformation into a type of medium that continuously proliferates and spreads (a bit like a forum generated by fans that holds a large amount of fan video and art). This is a method unique to contemporary records and calligraphy history. This might explain why I utilize painting images as a starting point to produce works that continuously revolve around this focus. However, it may come in the form of a small animation, a movie, or an on-stage play. Kai-Huang Chen 陳愷璜 2013 學位論文 ; thesis 81 zh-TW
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language zh-TW
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description 碩士 === 國立臺北藝術大學 === 美術學系碩士班創作組 === 101 === If you go straight in one direction across Eurasia, you might pass through many different countries and hear a variety of languages. However, on an island, there are only two possibilities for such a journey: running into a mountain or the sea. Or, you would just find yourself back at your original starting point. Like a bad joke, these surroundings are just repeated iterations of themselves. For me, this has inspired certain creative imaginations, and I have added details and events of this particular story to my current work to conduct an interpretation of the story’s atmosphere. This enables it to gradually take form as that net on the wall. I look forward to this net’s self-transformation into a type of medium that continuously proliferates and spreads (a bit like a forum generated by fans that holds a large amount of fan video and art). This is a method unique to contemporary records and calligraphy history. This might explain why I utilize painting images as a starting point to produce works that continuously revolve around this focus. However, it may come in the form of a small animation, a movie, or an on-stage play.
author2 Kai-Huang Chen
author_facet Kai-Huang Chen
Ching-Yuan Chen
陳敬元
author Ching-Yuan Chen
陳敬元
spellingShingle Ching-Yuan Chen
陳敬元
The Outlet from the Floating Island
author_sort Ching-Yuan Chen
title The Outlet from the Floating Island
title_short The Outlet from the Floating Island
title_full The Outlet from the Floating Island
title_fullStr The Outlet from the Floating Island
title_full_unstemmed The Outlet from the Floating Island
title_sort outlet from the floating island
publishDate 2013
url http://ndltd.ncl.edu.tw/handle/8jud89
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