Fragments of Everyday:A Study of Ting-Fu Huang 's Documentary Aesthetics

• Main Authors: Shu-Ru Shiao, 蕭淑如
• Other Authors: Song-Yong SING
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/m6bcyx

碩士 === 國立臺南藝術大學 === 動畫藝術與影像美學研究所 === 101 === The development of Taiwanese Documentary was closely related to the lifting of Martial Law in 1987. Early on this time, the documentary artists tried to play the typical role of reality recorder. But in 1990, a project called Floating Island discovered more aesthetical possibilities for the documentary images. Ting-Fu Huang is one of the pioneers in Floating Island, and a documentary artist who had lived through the time of the end of Martial Law. This thesis focuses on his three films, 03:04, Nail, and Island. Discovering how he worked out of the box of traditional documentary genre and brought more possibility and thoughts from the fragments of everyday life images.