The Study of Wu Jun-Yao’s Literary Writing On Outlying Island
碩士 === 臺北市立教育大學 === 中國語文學系碩士班 === 101 === Abstract The Wu Jun-Yao was born in Kinmen and creative content consists mainly of novels and proses. After the publication of the first book of personal writings since 1992, ended in 2012, the work has been accumulated thirty-three. In the course of mor...
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ndltd-TW-101TMTC50450112017-04-24T04:22:13Z http://ndltd.ncl.edu.tw/handle/70633617241607584434 The Study of Wu Jun-Yao’s Literary Writing On Outlying Island 吳鈞堯離島文學書寫研究 洪靉婷 碩士 臺北市立教育大學 中國語文學系碩士班 101 Abstract The Wu Jun-Yao was born in Kinmen and creative content consists mainly of novels and proses. After the publication of the first book of personal writings since 1992, ended in 2012, the work has been accumulated thirty-three. In the course of more than twenty years of literary creation, Wu Jun-Yao had a great number of works, which cover a wide range of subjects. The book "Kinmen" written in 2002 links him with hometown and is regarded as of Kinmen writing on behalf of one of the characters. The paper pays attention on Wu Jun-Yao’s growth and the creative process and analyzes the creative concept and adapts literature analysis, text analysis to explore the writing from 1987 to 2012. Three parts are includes: 1. Creative theme connotation: The paper explores Wu Jun-Yao’s outlying islands creations in four viewpoints: human and history, human and the ocean, human and land, human and society. From early nostalgic short to recent historical novel, his writing theme is from emotional expression Remembrance enemy to sort out the history and the focus of attention is with the pattern of successive zoom. In addition, compassion and care more for the retrospective explore the historical facts and recognition for homeland. 2.Works organizational structure analysis: Analysis of the narrative point of view, plots, and portrayed the type. Part of the narrative point of view, to make a statement in the first person and omniscient point of view; plot part of the development of horizontal log events, vertical writing history, cleverly association exists between the different chapters; types of characters, often describing civilian life , and male characters are the narrative center of gravity . 3.Works artistic techniques: this chapter explores language features, rhetorical skills and artistic style. Wu Jun-Yao adjusts artistic techniques given different starting points when writing Kinmen. It can be proved by early works crafted by emotional complex sentences and the recent unpretentious, martial arts like concise phrase. The works presents a rich and varied flavor. 余崇生 2013 學位論文 ; thesis 225 zh-TW |
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碩士 === 臺北市立教育大學 === 中國語文學系碩士班 === 101 === Abstract
The Wu Jun-Yao was born in Kinmen and creative content consists mainly of novels and proses. After the publication of the first book of personal writings since 1992, ended in 2012, the work has been accumulated thirty-three. In the course of more than twenty years of literary creation, Wu Jun-Yao had a great number of works, which cover a wide range of subjects. The book "Kinmen" written in 2002 links him with hometown and is regarded as of Kinmen writing on behalf of one of the characters. The paper pays attention on Wu Jun-Yao’s growth and the creative process and analyzes the creative concept and adapts literature analysis, text analysis to explore the writing from 1987 to 2012. Three parts are includes:
1. Creative theme connotation: The paper explores Wu Jun-Yao’s outlying islands creations in four viewpoints: human and history, human and the ocean, human and land, human and society. From early nostalgic short to recent historical novel, his writing theme is from emotional expression Remembrance enemy to sort out the history and the focus of attention is with the pattern of successive zoom. In addition, compassion and care more for the retrospective explore the historical facts and recognition for homeland.
2.Works organizational structure analysis: Analysis of the narrative point of view, plots, and portrayed the type. Part of the narrative point of view, to make a statement in the first person and omniscient point of view; plot part of the development of horizontal log events, vertical writing history, cleverly association exists between the different chapters; types of characters, often describing civilian life , and male characters are the narrative center of gravity .
3.Works artistic techniques: this chapter explores language features, rhetorical skills and artistic style. Wu Jun-Yao adjusts artistic techniques given different starting points when writing Kinmen. It can be proved by early works crafted by emotional complex sentences and the recent unpretentious, martial arts like concise phrase. The works presents a rich and varied flavor.
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author2 |
余崇生 |
author_facet |
余崇生 洪靉婷 |
author |
洪靉婷 |
spellingShingle |
洪靉婷 The Study of Wu Jun-Yao’s Literary Writing On Outlying Island |
author_sort |
洪靉婷 |
title |
The Study of Wu Jun-Yao’s Literary Writing On Outlying Island |
title_short |
The Study of Wu Jun-Yao’s Literary Writing On Outlying Island |
title_full |
The Study of Wu Jun-Yao’s Literary Writing On Outlying Island |
title_fullStr |
The Study of Wu Jun-Yao’s Literary Writing On Outlying Island |
title_full_unstemmed |
The Study of Wu Jun-Yao’s Literary Writing On Outlying Island |
title_sort |
study of wu jun-yao’s literary writing on outlying island |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/70633617241607584434 |
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