The Memories Which are Irrelevant to Piecing Together—Explanation and Discussion on the Artwork of Fu-Kai Shiang

• Main Authors: Shiang, Fu-Kai, 相福凱
• Other Authors: Chang, Hwei-Lan
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/kbtvqr

碩士 === 東海大學 === 美術學系 === 101 === A room is the place where a person can still be tolerated after he/she unloads the external image and defense. Such imagery also includes the image projection of home; similar to a storage room, we all need a place like this to store up our personal secret and privacy. We try to present all kinds of beautiful imagination towards life there, and it is there that we treasure up some items or some lovely time which are specific to us. The topic of the creation paid close attention to the continual accumulating traces in the room from people. The idea was from my personal experience about the deep comprehension and imagination to the things and the memory traces that once existed but disappeared now. The goal of this research was to find out the mutual life traces in the past which were both shown in “my own room” and “the views changed in the room” by the topic and the definition of “room”, cutting in with my personal experience. The form and character of puzzle itself allowed people to move and to reorganize freely on the image. The incompletion of the missing memories was deepened, like the puzzle which was broken up and was difficult to be recovered, through the narration of continuous and discontinuous images. The abnormal connection and observation experience was established during the process of direct interaction with viewers and the generation of playfulness, and further recalled the missing memories and the experience compensation status of the viewers. Chapter one is the introduction of the research motivation and goal from creator; Chapter two is the discussion of the changes and development among creator’s background, network and the topic; Chapter three is the analysis of core topic developed for the artwork and its form & presentation; Chapter four is the style collection of the whole series of the artwork created with research topic, and the discussion of the connection among artwork development; Chapter five is the conclusion of the research, and it summarized the completion of the creation development and the potential of future expectation.